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    7 months ago

    Clarissa.Gonzalez RT Live Events Manager

    Hi again friends, 

    RTX is a fun and chaotic weekend, and we know scheduling your day is super important, especially when it comes to planning your travel. We want to make sure we give you enough time to book your flight, hotel, and set plans!

    Here is a quick rundown of what to expect from RTX weekend. This is far from complete. We’ll be making updates and adding new events throughout the planning process.

    Can’t wait to see you at RTX!


    10AM-5PM - Registration and bag pick-up at Austin Convention Center

    6PM - FIRST Night Screening at Paramount Theater


    8AM-5PM - Registration and bag pick-up at Austin Convention Center

    11AM - Exhibit Hall open for Platinum and Weekend Plus badge holders

    12PM - Exhibit Hall open for all other badge holders

    12:30PM - Programming/Panels begin

    7PM - Evening Programming begins

    8PM-12AM - Platinum Party for Platinum badge holders


    8AM-5PM - Registration and bag pickup at Austin Convention Center

    9AM - Exhibit Hall open for all badge holders

    9:30AM - Programming/Panels begin

    7PM - Evening Programming begins


    8AM-1PM - Registration and bag pickup at Austin Convention Center

    9AM - Exhibit Hall open for all badge holders

    9:30AM - Programming/Panels begin

    6PM - RTX Austin ends and we all cry



  • Full Sail + Rooster Teeth Livestream on 3/20

    7 months ago

    Skilltacular Producer @ RT Games

    Howdy! Brian Reilly here. As a Full Sail alumnus and Rooster Teeth employee, I’m excited to bring you the latest update on our partnership with Full Sail. Last month, Gus announced that Rooster Teeth will be working with Full Sail students to develop an ‘80s fighter game, providing them with our annoying opinions and advice. He also told you we would be checking in about once a month to focus on different parts of the game and the students’ progress. Well, it’s time for our monthly check-in!

    On Tuesday, March 20, at 1:00 p.m. CDT, Chad James (some dude from ScrewAttack), Torrian Crawford (main animator of Death Battle), and I (a very cool person) will host a livestream on the Rooster Teeth Facebook page to focus on the mocap aspect of video game development. It will take place at Full Sail, and we’ll get an exclusive look at the Full Sail mocap studio.

    We’ll be back soon with even more updates, so stay tuned!

  • SXSW Review: Sparse Sci-Fi Flick PROSPECT Delivers Tension And Great Performances

    7 months ago


    One of the more pleasant surprises of this SXSW was a little intimate grounded sci-fi film called PROSPECT. It's a simple story told exceptionally well. We follow a teenage girl and her father trying to strike it rich prospecting for gems on an alien planet before their ship home leaves them stranded.


    Everything that can go wrong goes wrong (of course), from faulty equipment to run-ins with murderous plunderers, all while the window for getting off the planet shrinks.

    Prospect is one of those smaller movies with a big scale that really lets you soak up the production design and cinematography in lieu of big action sequences or constant VFX landscape shots. The movie I kept hearing it compared to around the fest was Moon. It's a radically different kind of movie, but in terms of tone that's not too far off.

    Writer/Directors Chris Caldwell and Zeek Earl put the plot focus squarely on character as they slowly dial up the tension on our heroine, who is portrayed as smart and good-hearted, but not perfect. Not every plan of hers works out, she's not immune to the pressures and the seeming hopelessness of her situation.

    Sophie Thatcher plays Cee and acts her ass off, through a domed space helmet for, like, 90% of her screen time. She's put in a rather interesting situation that pairs her with someone she's not a fan of, to put it bluntly, and has to depend on a devious, murderous rogue named Ezra, played by Game of Thrones and Kingsman 2's Pedro Pascal.


    Ezra's the kind of dude that would sell his mother if it got him the edge in a tough situation. He's not to be trusted and Cee knows this, but doesn't have much of a choice. On a planet where the environment is deadly and desperate mercs comb the alien landscape sometimes strange bedfellows have to be made and you can't get much stranger than these two.

    That's where the real kernel of greatness is in this movie. Pairing two people who don't trust each other together in a hostile environment and forcing them to depend on each other to survive is a great dynamic and both actors knock it out of the park.

    The pacing is a little... deliberate and I'm sure the more OCD among us will have a little trouble hanging with the movie, but I was riveted the whole way through because there was always something to hold my attention, whether it was marveling at the costumes and production design or being sucked into the character dynamics unfolding as the clock ticked down.

    Caldwell and Earl show a talent for worldbuilding here. They don't dump a ton of exposition on you, instead letting the characters' actions tell you everything you need to know about the reality of this sci-fi future. They sprinkle just enough otherworldly weirdness into the visuals that it doesn't look like they just slapped a yellow filter on the camera and went into the woods to shoot, somehow striking that balance of recognizable and absolutely alien that gives us a grounded reality that doesn't look like some Sy-Fy Channel reject.

    I very much dug this one. Not sure when everybody will have a chance to see it, but it's too good to fall through the cracks. When it comes time make sure to check it out.

  • Drink the Pain Away with Rooster Teeth Cocktails

    7 months ago

    coolnathan Nathan Isherwood

    Happy St. Patrick's Day everyone! A big thank you to those of you who sent in your cocktail recipes, and to @LittleLil68, @Tudor, @derprah, and @Boxless for letting us use their drinks for the Off Topic podcast yesterday. 

    If you would like to put a little twist of Rooster Teeth into your libations, may we recommend to you these cocktails designed by fellow community members:

    @StryfeRyder has devised the perfect way to make those mandatory All Hands meetings go by way, way faster:

    The "Morning staff meeting"

    10oz dark roast coffee (hot)
    1 tsp cinnamon
    1-2 tsp simple syrup
    2oz vanilla vodka
    2 tsp heavy cream
    Dollop of whipped creme

    We'll absolutely get Becca to drink @Heaphestus' creation once she's un-knocked up:
    The Becca Refresha    

    2oz Peach Schnapps
    1oz White Rum
    1oz Elderflower cordial
    1/2 cup crushed ice
    1/2 cup cranberry juice
    top up with 7up/sprite

    @megaparsec83 has gone over to the Blue side with this twist on a boozy Lemonade:

    Freckles' Lemonade

    Muddle blueberries in a sturdy glass or mason jar, add ice
    Add one part blue curacao and two parts vodka
    Top with lemonade and/or lemon-lime soda and stir
    Crazy straw optional

    For more recipes, this book of drinks created by our friends at BIGBITE is fantastic. They have a ton of drinks that celebrate your favorite Rooster Teeth shows, so make sure to check it out. Thanks BIGBITE!

    And if you party a little too hard and Blaine all over yourself this year, no worries! The store has an amazing sale going on right now with vomit-free merch discounted up to 85%! WOW.

    Have a fun, safe holiday and sorry to any real Irish people out there for the whole cultural appropriation thing. 

  • Sequentially 002

    7 months ago

    Lumenati Let's Play

    In anticipation of Avengers: Infinity War (go watch that wild trailer!), I've been thinking a lot about an idea repeated by Executive Producer Kevin Feige and others in recent interviews. When asked about the franchise post-Avengers 4, they tend to give a response that invokes "what comes next" and "the new status quo." If you follow superhero comics, you recognize this kind of language because it tends to surround big crossover events, resets, and reboots.

    Reboots and resets are absolutely a necessary part of the peculiar genre of American superhero comics. DC's Action Comics #1 is about to hit its 80th anniversary this year. Like a snake shedding its skin or a lobster growing a new shell, to keep the characters and stories fresh you just have to hit the reset button. Marvel's approach tends to be a bit more gentle than DC's (see Crisis on Infinite Earths or New 52). They opt for soft resets that don't totally invalidate the publishing history, they just find a new starting point and streamline backstories to clear out excess baggage. 

    At its worse, however, it can be just a ploy to boost flagging sales. Marvel has done a few too many recently, and it's created fatigue... but then I came across this cover and it got me pretty excited for what might be coming:


    (As a caveat, I'm going to put aside new Editor-in-Chief C.B. Cebulski's various heinous antics, mostly out of respect to the great Joe Quesada who's stepped away from the movie studio to focus back in on the comics.)

    What I love about this line up is that it balances a lot of factors. From an in-universe perspective, all of these characters have long heroic careers, they represent different corners of the Marvel U, and their powers and capabilities are well balanced. To Marvel's credit, while this is a "back to basics" move, each of these characters seems to be carrying their scars from past books (Thor Odinson quite literally). 

    From a business perspective, it finally feels like the comics division is finally taking the right cues from the movies. Doctor Strange did well, Black Panther was a phenomenon, and Captain Marvel is building hype. Now is definitely the right time to put them on a shelf with Iron Man, Thor, and Captain America. And in terms of publishing, this feels like an effortless integration of racial and gender inclusion, especially thanks to the last few years of Black Panther and Captain Marvel books, which is a comforting signal that Marvel isn't caving to toxic voices in the fandom. 

    All that aside, I also just love a good team up. I'm ready to see a fully Hulked She-Hulk back to back with our reformed Thor. Cap and T'Challa in the field and an apparently reconciled Tony and Carol blasting from the skies. Also very interested in an explanation for why Ghost Rider is just hanging out back there, but I'm sure there's a good reason.

    So here's a prompt for the comment section... what's the team up you want to see? Classic or unexpected, give me your 6-7 characters you'd like to see on a splash page. Can be Marvel or DC, just don't mix and match, I'm not in the mood for some Amalgam Comics stuff. Here's mine:

    New Young Avengers / Champions

    Loved both iterations of the Young Avengers book, though many of the characters have faded out. Since Patriot (Isaiah Bradley) seems out of commission, here's my new version of the team, pulling from other young heroes like the Champions:

    1. Hawkeye (Kate Bishop)
    2. Power Man (Victor Alvarez)
    3. White Tiger (Ava Ayala)
    4. Amadeus Cho (Not Hulked)
    5. Spider-Man (Miles Morales)
    6. Nova (Sam Alexander)
    7. America Chavez

    Young genius Amadeus friend of Hercules and soon-to-be former Hulk, brings the strategy and technology. Kate Bishop, a wealthy heiress, friend and occasional caretaker of Clint Barton, is the team's tactician. Victor, the chi-infused protege of Luke Cage and Iron Fist, and Ava, the mystically enhanced inheritor of the White Tiger mantle, are your super-soldier combat types. Sam Alexander, one of the last remaining Novas, is your flying blaster and resident irresponsible team member. America Chavez, the multiverse hopping hero, is your heavy muscle. And you can't go wrong with a Spider-Man for good luck.

    What's your dream team?

  • Rooster TV

    7 months ago

    KaraAnn Content Ops Manager

    Hey there friends!

    Have you checked out Rooster TV yet? It was a ton of fun to work on and help put together. I'll be in the chat all day, so come hang out and watch with me! 

  • Cow Chop's Warehouse Shoot BTS

    7 months ago

    wesellis Staff Photographer

    Have you seen those photos I took of the Cow Chop boys wearing weird monster masks? Yeah, we didn't plan that. Nathan and I showed up at their warehouse not knowing exactly what to expect. Here are some disposable camera photos of that day:









    and me:


    Go shop this dope new Cow Chop merch here!

  • Testing a Theory (or: Everything That's Old Is New Again)

    8 months ago

    ebregman Programming & SVOD

    Update @ 1:15 p.m. CT - New image below with up-to-date schedule!

    You all know how much I love testing stuff. Well, two amazing things have happened this year that gave us an idea. First, Funhaus launched Funhaus TV on their YouTube channel, which has proven to be an amazing way to spend your day with the FH guys and gal (and dog) even though they might not have even posted a new video. Second, the new went into beta, and you guys flocked to our new chat feature. That got us thinking…

    What if there was an always-on campfire on where you could come by, interact with friends and RT talent and staff in a chat, and check out whatever was on TV?

    Tomorrow we’re trying just that. Starting 3/16 at 10a CT (TUNE IN NOW!) and continuing late into the night, free for everyone to watch and with no commercials for the test run, we’ve hacked together a linear TV channel. It’s packed with videos we’ve posted in the last 2 weeks (including previews of some FIRST exclusives), a few other greatest hits from our library, and heck let’s just put Friday's live Off Topic in the middle. You can tune in any time you want and find something awesome playing, plus a few RT talent will pop in and out of the chat too.

    The morning is all cartoons (because of course it is), including the premiere episode of Nomad of Nowhere, plus a little Backwardz Compatible. Whenever Off Topic ends, we’ll dive into more comedy and a few other talk shows like this week’s Always Open and RT Podcast. Late night be sure to check out free previews of the Funhaus Theater Mode premiere episode, and an AH Theater Mode too.

    If this works...I’ll get to buy some cool software to help us make it work better. So please, help me get a new toy. Have fun! (Seriously, go tune in and check it out!)


  • Recruiter

    8 months ago

    brookemonster Brooke

    professional roustabout, pup petter and friendship maker

    (I'm going to pretend this was intentionally a journal entry and not me thinking it was an "about me" area...) 

  • Chibi Season 3 Update

    8 months ago


    Hello Chibi Fans! Paula Decanini here, the Director for RWBY Chibi Season 3.  We’ve all been having a great time adventuring and joking around Beacon Academy with the gang, enjoying all the shenanigans and tomfoolery, hoping it could just go on and on and on...

    Wait!  Am I saying it won’t!?  Don’t be silly! Of course there’s more RWBY Chibi coming!  We’ll be going on a break after this weekend's episode (that's Saturday March 17 for FIRST members, and Saturday March 24 for public) for a few months.  But we'll be back in June with all your favorite Chibi characters, along with a few new friends!  Once again ready for more monkeyshines, high-jinks, and so many other words that stand for fun!  

    So keep your Saturday morning cartoon cereal at the ready, and we’ll be back this summer!

  • Jessica Jones (Season 2) -Spoilers-

    8 months ago


    So I've been watching Jessica Jones Season 2, after absolutely loving the first season when it came out, and I can't put my finger on an exact "point" but somewhere along the line in Season 2 I stopped having fun or enjoying the series.


    I recently finished "AKA Three Lives and Counting", the 3rd to last episode, and found the performances from most of the cast to be some of the best this season, but even so a lot of the actual storytelling fell very flat.

    This season really has no primary antagonist and is leaning more on the concept of gray-areas, asking questions like "What does it mean to be a hero?" and "What are you willing to do for your loved ones/the safety of others?" but it never goes deep enough into those questions to actually feel meaningful.

    Before I go further I want to say that Krysten Ritter and Eka Darville have had some AMAZING performances this season, bringing a lot more heart to each of their characters.

    That said, the choices that Jessica, Trish, Jeri, Alisa, and Karl make throughout this season are mindboggling.  A lot of their reasoning seems to be "BECAUSE" rather than giving actual purpose to their actions, or at least enough of a purpose to suspend disbelief.

    Trish in particular has been a nagging point to me this season.  After finding her to be a great "side-kick" and necessary point to Jessica's growth and the overall plot of Season 1, she seems like she's just "being an asshole to be an asshole" this time around.

    Now, I get that they are trying to work their way towards re-introducing her as "Hellcat", more than likely in Season 3, but the way they went about doing it feels like we're going to be seeing her as an Anti-Hero rather than her actual true heroic attitude from the comics.  Which is -totally fine- if it's explained well, but so far she seems to just have Super-Power Envy, and that's kind of lazy.

    And that's not even mentioning the introduction, characterization, and motivations of Alisa Jones.  Seeing her brought back from the dead, her powers, her breakdowns, etc.  Especially in the second half of the all feels very "Why?!" with no true reasoning for anything.

    All in all, I'm not finished with the series yet, still two episodes left...but I have a feeling that unless Season 3 hooks me within the first few episodes, I'll be dropping the Netflix Marvel Universe out of just being bored by lazy plot points and annoyed by weird and not well explained character motivations.

    Fingers crossed that Freeform's Cloak & Dagger will reignite my love for the MCU's small screen heroes.  I have high hopes for it!

    What are your thoughts on the Small Screen MCU and it's characters?  Is Iron Fist still the weakest link?  Should the characters be teaming up more after The Defenders or are these "stand alone seasons" still the best way to go?

  • PC Games I played in 2017. Which pizzaS do they compare to?

    8 months ago

    Skilltacular Producer @ RT Games

    It’s been awhile! Time to dig into the PC games I played last year. I’ll tell ya right now, playing games on PC is not my desired way to play. I work at a desk all day, so I don’t want my fun time to be at one too. Besides, a keyboard was designed for word input, not games. Updating hardware is not my jam. Oh…. DRIVERS! Just all around not my main way to enjoy games. BUT! There are a ton of great experiences on PC that just won’t make to consoles, so here we are.

    Anyhoo, let's dive into some games and compare them to pizzas!


    Unfortunate Spacemen | PC | Basic Cheese


    Hmm, I don’t remember the point of the game really. I remember that some number of humans were trying to survive in a space station. One player was an alien that can disguise as a human. Humans try to complete objectives without dying. The alien tries to not get caught as it tries to wreck the humans’ shop. Good times ensue. I remember thinking this was a funny sort of experience. If you can get a group of players together, you should have a fun time.

    GRIP | PC | Basic Cheese


    Dammit if I don’t love a well made arcade racer. Grip has a lot of super rad things going on-- car combat, cool tracks, driving on walls and the ceiling. It’s a “cool” game. Something in the actual gameplay left me a little flat… it just didn’t quite...grip me. Fun while I played it, but I never went back.

    Battlesloths 2025 | PC | Secret Sauce


    Sure, RTG publishes this game, so you’d think “of course Brian is going to have good things to say.” You’re right. We got behind this awesome little game because it’s fun as hell. From the super fast gameplay, fully functional online, to the insane amount of hats, that’s a lot in this tiny package. Several nights, I had friends over to play and things got rowdy. That’s what BS2025 is- a rowdy good time.

    Elder Scrolls: Legends | PC | Specialty Lovers


    I love a good collectible card game (CCG). I’ve been playing Magic since ‘94, dove hard into Hearthstone, and have tried too many other failed games up to now. Elder Scrolls: Legends is a great package with a lot of freedom in the deck creation. These sorts of games are as deep as you want them to be. Now that it’s on mobile, PC, and console I find myself checking back from time to time.

    PlayerUnknown's Battlegrounds | PC | Trusty Peperoni


    You know it, and many people love it. I’m not one of those people. I recognize why this was an important game in 2017-- it brought more people into the Battle Royale genre. My experience was fun, because I played with friends (but I’m not writing a review about my friends (6/10, btw)). The game is glitchy and not very intuitive (which scope goes with what gun?). Maybe all that mess will get worked out eventually. For now, it’s just not my game. Other games are doing what this one does but in better and more enjoyable ways to me.

    Fortnite | PC / Console | Supreme Pizza


    Unlike the above, oddly titled game, Epic’s horde-mode-the-game-with-a-side-of-amazing-battle-royale is totally worth your time. The co-op was a ton of fun. I loved building out my squads-- always aiming to increase a few percentage points on various stats. Unlocking new and better gear feels really good. Those loot llamas! Awesome! Then you have the Battle Royale mode. Is it a clone of a game from a certain unknown player? Sure. Is it made by a studio that has the resources to deliver a high quality experience? Yep. Fortnite’s Battle Royale has is a very tight experience that is expanding with every update. Oh! And this part of the game is free!

    There ya go. Not a ton of PC games for me last year. I did recently buy a new PC from RT Games’ level designer, Kevin Kim. Maybe I’ll dig into more PC action this year. See how it’s March and I haven’t even booted it up, I doubt it, but then again… we are working on a super fun and excited game for PC. I really can’t wait for more of that!

    Next time, PS4, Xbox, and Switch! I’ll wrap this series with all the awesome board games I played last year.

    If you have some PC games I need to check out, let me know!



  • RTX Austin Year of Community Announcement!

    8 months ago

    Clarissa.Gonzalez RT Live Events Manager

    Hi Friends!

    UPDATE: The applications are now live until Monday, April 16th 11:59 CST. 

    Community Track - Panel Applications

    Community Corner Applications

    Can't wait to see everyone's entries! 


    We’re at the point of the year where all of our planning for RTX Austin is really starting to take form, including the programming!

    Side note - since this is my first introduction to some of you, my name is Clarissa and yes, I’m the one that works on the overall program, which is a bit scary for me to share. I promise I put a lot of time and consideration into how everything is planned out and I truly want you to have the best weekend ever. 

    Now, back to the reason I’m here and the exciting news I want to share with you. As a team, we're always thinking about how we can give back to our great community, and at RTX we always aim to go big! In honor of Rooster Teeth’s  “Year of Community”, here are some things to expect this year at RTX Austin.

    Community Track

    This year we're thrilled to add a dedicated Community Track to our RTX programming lineup. We’ll be allotting 10-12 panels in this new track and we want YOU to submit your panel ideas!

    *Applications will be open from Friday, March 16th at 10AM CDT to Monday, April 16th 11:59PM CDT. We've assembled a committee of Rooster Teeth employees who have come from the community to review and select these panels.

    Community Corner

    We will have a dedicated space in the Exhibit Hall to promote the work and talents of our community. Are you an artist, designer, illustrator, and/or create cool shit? We'd love to give you the space to show it off!

    * Applications will be open from Friday, March 16th at 10AM CDT to Monday, April, 16th 11:59PM CDT. We've assembled a committee of Rooster Teeth employees who have come from the community to review and select these panels.

    Keep a lookout for both applications on our RTX Austin website (, Twitter and Facebook page.

    If you're interested in applying, go ahead and start planning out what your type of panel would be and the details around it so you'll be ready when it's time to apply. We can't wait to see all your submissions!

    Lastly, if you have any questions, please remember to reach out to our lovely customer support team at They're here to help!



  • Ready Player One

    8 months ago


     I’ve been playing a little game. Every time I see a tweet or post about how someone is sure that ready player one is going to be an absolute train wreck with a bunch of pop culture references, I checked their profile. It’s a little absurd how often those people have a pop-culture reference in their avatar, their cover photo or in the form of an inspirational quote.

  • Ready Player One Is A Damn Blast!

    8 months ago


    Forgive me if this review feels a bit jumbled and ramble-y, but it's 3:30am as I sit down to write it. I have a screening I have to leave for in about 5 hours, but I'm honestly still amped up after having seen Steven Spielberg's Ready Player One.


    Right up front, this was the very first public screening of the movie, which was held during SXSW at the Paramount, a giant movie palace (balcony, paintings on the ceiling and everything) with the majority of the cast and Steven Spielberg himself present. The audience was electric, super into it buzzing even before the film started. There is no way this film has a better audience experience. There was cheering after the action scenes, roaring laughter at some of the jokes, pointing fingers constantly entering your periphery as different people noticed different iconic vehicles/characters/designs.

    All that stuff is infectious, so it has to be said that it could influence an opinion. Now you know the setting.

    My quick history with Ready Player One: I read the book once, right before it was published. I knew Ernie Cline a bit. He was in my extended circle. We all camped out for Episode 1 together. I sat down to read the book thinking I'd give it a chapter or two and pat him on the back, tell him I'd started it and good job or whatever. I was on an international flight when I started reading and when I looked up the flight was almost over and I had finished the book. It's a very fast read and compels you to keep going. It was a pulpy adventure success and I was happy for Ernie, but I honestly didn't think much more of it. Until Steven Spielberg got involved.

    You never count out Steven Spielberg. The man is a master filmmaker and even when he strikes out he at least swings big. By just about any measure I'm an easy mark here. He's my favorite filmmaker taking a stab at one of the geekiest things ever written.

    The thing is, Spielberg's a bigger geek than you are. No shit. He was a gamer before there was a word for it. At a core level he understands the appeal of the Oasis, the central online gaming reality the story revolves around, and he just happens to also be one of our most visually inventive filmmakers to boot.

    Some of the early marketing was off-putting to me. It felt like CG spectacle and I didn't get any sense of the characters, but I kept telling people openly mocking it that you discount Spielberg at your peril. And it turned out I was right.

    For those who don't know the world, Ready Player One is about a poor kid who lives in a future world that's not quite apocalyptic, but super shitty and drab. The one escape isn't movies or TV or reading... it's gaming, thanks to a system called OASIS, which is essentially the internet, but a video game. Everything you could possibly imagine is there. You can create any identity you want, play any kind of game you want, go anywhere you want. It's not quite real, but it's not too far off, either.


    Because it's a world of unlimited possibilities just about every pop culture character can be found in there. You like Overwatch or Halo or Nightmare on Elm Street or Iron Giant or Batman or Back to the Future or He-Man or Gremlins or a million other things? You can choose that as your avatar. Or you can be something wholly original. The one thing nobody is is themselves.

    Our hero, Wade Watts, is fascinated by the man who created it all, the Steve Jobs or Bill Gates of the Oasis, a socially awkward (and sadly deceased) genius named James Halliday who, in true Willy Wonka fashion, left a series of challenges within his huge gamescape that, if solved correctly, will lead to a hidden easter egg, which grants the winner complete ownership of OASIS. This isn't like someone getting to own a big game franchise. It's not even like someone getting to own Sony or Microsoft. Everybody is plugged in. This place has its own currency. This is like someone getting to own the internet itself.

    Naturally there are powerful corporate interests that want to own this for themselves and they want to pump it full of ads and pay to play features... they essentially want to revoke net neutrality and take humanity one step closer to a dystopian, corporate controlled reality.

    The key to solving these puzzles is to understand the creator and what he was obsessed with. Halliday was a child of the '80s, so his nerdy obsessions are rife with pop culture references and hints, but underneath it all there's a story of a sad, lonely man. Yes, there's a trillion things to dig in a nostalgic way, but what Spielberg does so well is build the world and the characters within it that you're invested in them.

    Much of the book is changed in this adaptation, but the breakneck pacing, sense of high adventure and huge beating heart are still there. Spielberg's sense of geography and ability to construct pulse-pounding action scenes is still as sharp as ever.

    There will be some that will write this off as a nostalgia trip and conveniently overlook how ingrained in the actual plot and character all the references are. This isn't a movie where you need to know everything on screen. I didn't know everything I saw, and I'm pretty fuckin' nerdy! All you have to be is invested in the characters and be willing to go for a ride. If you can then you're going to find yourself having a ton of fun.

    In Ready Player One Spielberg gave us one of the geekiest films ever made. It's certainly the geekiest film he's ever made, and that's saying something.

    I wish I could be a little more critical of it. There were a few moments that don't work and some over-explaining that happens in a few scenes, but I had the goofiest grin on my face the entire runtime of this movie and I'm still smiling. I'm sitting here, dog-tired with a big day of interviews and movie-watching coming up and I'm still smiling like a frickin' doofus over this movie.

    It's just flat out fun. This will be a litmus test movie. We might be able to get along if you don't like this movie, but we're never going to be good friends. If you can't enjoy something that wants to make you happy so earnestly then I don't know if it's going to work out between us. Sorry, bud.

    Again, consider that I saw this in possibly the best setting ever and I'm just about exactly the target audience for this movie, but goddamn did it make me happy.  

    I might come back with a few more coherent (and not sleep-deprived) thoughts later, but this is where I'm at hours after the experience. 

  • SXSW Review: John Krasinski's Very Scary 'A Quiet Place'!

    8 months ago


    A Quiet Place does something pretty incredible. It takes what could be an arty, lofty uber-indie premise and somehow retains the freshness of those kinds of movies but does it in a wholly commercial way.

    I've seen dozens of these kinds of movies at film festivals. It Comes At Night jumps to mind. They're usually focused on a dysfunctional family isolated in the country after a plague/invasion/zombie apocalypse/whatever. It's a typical indie premise because it's cheap. You just need a handful of actors, go rent out a farm somewhere for a couple weeks and then depend on atmosphere and mystery instead of showing the very expensive threat. These movies usually bring the mood, but not the payoff. A Quiet Place brings both.


    The movie takes place in the near future (I believe it's 2020) and we begin with a family very quietly looking for medicine for their sick son in an abandoned drug store. They sign to each other, tiptoe around in bare feet and act like anything that could possibly make a sound is a live bomb.

    We come to discover that there are deadly creatures that are fast, heavily armored, blind and very, very hungry. Within a matter of months these creatures have reduced humanity's population to almost nothing. Although it's not explicitly stated I assume the family at the center of this story survived the initial onslaught because they've all learned sign language to communicate with their deaf daughter and just happened to be quieter at the right moment.

    Also left mysterious is where these things came from. Are they aliens? Mutations? Science experiments gone wrong? It doesn't matter. They just are. The fact that the movie doesn't try to over-explain the threat is one of the reasons it works so well.

    In fact the only time the film falters at all is when it yells to the cheap seats really early on by throwing a ton of exposition on a white board surrounded by dozens of newspaper headlines with headlines like “IT'S SOUND!!!” It's the only time I was taken out of the movie, where I felt the filmmakers telling me something instead of showing it to me.

    But for the most part the movie establishes its rules through action and doesn't break them. I'd wager a good 80% or more of the movie is without dialogue, characters either communicating with looks or subtitled sign language. That's the little bit of the indie spirit I mentioned. How many wide-release studio movies do you know that have so little characters speaking? The story is practically designed to show and not tell.

    It being a thriller also means they can weaponize their sound. Yes, there's tons of jump scares, but they don't feel cheap. In a film where any sound could mean death any sudden sound is going to be a stinger by sheer fact that the movie hangs on the premise that everybody has to be as quiet as possible.


    In fact I found while watching it that I was clocking my own noises. I was conscious of any noise I was making... from a sniffle to a laugh to small throat clearing. I was so into the story that I was worried I myself was going to make a noise loud enough to bring hell down on this family, who I genuinely cared about.

    That's the film's other great strength: you do care about these people and the fact that they're all so clearly established without multiple conversation scenes is a testament to how disciplined the writing and directing is. The characters make intelligent decisions, but are still human, fearful, in pain, emotional. Cinematically the film is a knockout, with gorgeous photography, great production design (minus that exposition white board I hate so much, of course), and incredible effects from ILM. Emotionally the actors all sell their characters so you actually care when they're in danger.

    Perhaps the very real love and history of caring for each other helps us buy John Krasinski and Emily Blunt's relationship. That wouldn't surprise me, but I wouldn't take away from what they pull off here by attributing it solely to a comfortability between the two. The kids, Millicent Simmonds (from Wonderstruck) and Noah Jupe (Wonder, Suburbicon) are equally fantastic. Simmonds wrestles with anger and a guilt while Jupe is trying to keep his terror under control. She's the stronger one, but he's the one that can see their troubled family for what it is. Maybe that's why he's so scared because he knows the love that is there and he doesn't want to lose it.

    In short, the movie is smart without being up its own ass, scary without betraying its emotional core, and it pulls you into the world, which is kind of why movies exist in the first place. Fresh, fun, scary. This is a big, big recommend for me. Thankfully you don't have to wait to long to see it since it hits theaters April 6th.


  • RWBY Chibi Shot Breakdown - Teenage Faunus Ninja Catgirl

    8 months ago

    Triple_Bee Chibi VisPost Supervisor

    Hey there RT Community!  Welcome back to another Chibi Shot Breakdown!  This week I'm taking a quick look at the opening shot for Season 3 Episode 6: Teenage Faunus Ninja Catgirl.  A name just barely tongue-twistery enough that some of us started referring to it as "The NinjaCat One" until we'd had enough morning coffee.  The proposed acronym shorthand of TFNC never quite rolled off the tongue the way it does for sewer turtles.

    Anyway, Chibi Script Maestro Tom Alvarado's script for this sketch sets the scene as such:


    Blake kneels meditating in the middle of the room.  She's surrounded by lit candles.


    Since he'll be animating this sequence, Chibi Lead Animator Ian Kedward starts by loading the set and roughly placing a camera before blocking in the sequence with quick drawn sketches of the action. This way he and the Director can quickly revise and refine the rough timing and positioning. There's a fair amount of action in this sequence as a whole, but since Blake is meditating this opening shot is fairly static.  Thus they decide to add a moving camera to give it some flair.



    Next Ian animates the shot with characters and props placed.  He sets up the camera to have a slow downward motion, so we'll need to render the backdrop for the full frame range, unlike in the Breakdown from Episode 5 where we could make a single still frame work for the whole shot length.


    Chibi Director Paula Decanini requested the scene have a bit of an old-school samurai/martial arts movie feeling to it, with blue light shining through the window and a dramatic underlighting from the candles surrounding Blake. A pretty great starting point that gives me an opportunity to go look at some similar scenes in other films for style reference in narrowing down the look and not at all because I want an excuse to watch old action movies for official business...

    The Beacon Dorm Rooms don't really have a dedicated night lighting setup for situations where the room lights are also off.  In those rare cases we generally add custom lighting dependent on the needs of the script.  I had done a vaguely similar setup in Season 2: Episode 6 - Super Besties but that wasn't quite as dramatic as called for here and the action took place in a different part of the room. Still it gave me some pointers on where to set lights this time around and what settings to apply to them for ideal render times.

    First step is the exterior light which provides the main source in this shot, with Paula's requested blue moonlight shining through and making a striking reflection on the floor!  We normally don't get to see the floorboards from this camera angle so the uncommon light reflection makes them look neat as things progress!  I also tweak the Subsurface Scattering on the candles at this point to give them a more prominent waxy appearance with the backlight; in short SSS simulates light striking an object, entering it, scattering within and exiting at a different point as opposed to simply bouncing off of it. This helps give the object a softer appearance in things like skin and wax.  The addition of Subsurface influence has been a huge boon to the cute look of the show in my personal opinion.

    If you look close you can also see Blake's shadow is in the shot already too!  Normally I would handle this as a separate layer to be added in during Compositing, but in this instance the shot is fairly brief, she's reflecting in the floor, and is behind AND in front of candles that are in the set layer which are also casting shadows.  Thus is makes a little sense to keep it simple and just bake her shadows in for the sake of Compositing ease. That means of course if I have to make adjustments to her shadow I'll need to re-render the whole thing, so it's a shortcut best done sparingly and with purpose.

    Now that we're out of lighting and into Compositing we can work in some early drama!  Here I've adjusted the lighting renders to be a little darker, especially around the far edges of the frame, and added a Depth of Field blur to push the background out of focus a bit as it gets further from the camera.  This will help Blake stand out when she's added to the shot.  

    Speaking of which...


    Seems like time for our stealthy Faunus to step out of the shadows.  Blake has much of the same lighting as the set, in addition to a rim light on the back of her head that helps her hair and bow stand out from the darker window frame.  Things are still pretty dark and muddled right now, but our next few steps should fix that!


    Step one is some dramatic light fog streaming from the direction of our moonlight.  The frame of the window is going to add some neat streak patterns as it blocks the fog beams and all of it together creates a nice frame around Blake to contrast her dark core against it's brighter shape.  The shape of the fog is cheated a little here to be less wide and more angled than it should be so that it reads better to camera and seems to align with the candle circle and highlight that as well.



    Now it's time to light our candles. This is what led me to leave Blake so dark until now without much in the way of light fills.  Now the dramatic underlights will have a stronger influence on her.  I've previously placed a small light near the wick of each candle object and tailored their settings so they each provide a tiny bit of the whole candle ring contribution.  To help sell their natural flame flickering, I separate the candle lights into three groups that will let me independently shift their brightness at the Comp stage, though they are perfectly steady in the original light renders.

    I also take this opportunity to tint the fire color a richer orange/red, having intentionally left them somewhat neutral up until now.  In general it's helpful to add richer colors to your lights in Compositing, since it can be tricky to shift deeply saturated lights when they are already influencing local colors.

    All of this also really helps the floor stand out again, since the candles are so close and at a perfect angle to really resonate against the dark floorboards.  Almost everybody thought I'd artificially upped the reflection levels of the floor, but this is their normal state!  Saved me the trouble. :)


    Finally it's time for the flames themselves. Using a Compositing tool developed for RWBY I'm able to quickly place flames on the tip of each candle thanks to some exported camera data and invisible locators on each wick. This way I don't need to manually create and track each flame, it's mostly handled for me and I can just fine-tune the placement, size and look.

    Lastly I add some subtle glows to our scene and candles and a vignette to the whole image to really push the eye to Blake!


    I had a lot of fun with this sequence, personally handling the first half and then splitting comp duties with the talented Alan Matthewman for the second half of Blake's smoke bomb stalker adventure. His creepy ceiling-cat Blake comp still cracks me up and also caused many a cry of terror around the office!

    For the Pun Record, I really wanted Blake's unnamed Taxi App to be "RWBR" but there were a few too many hurdles in the way to make that Easter Egg happen!

  • Sequentially 001

    8 months ago

    Lumenati Let's Play

    So Geoff's music posts gave me the itch to try posting here more often. Since he's doing music (and since most of the music I listen to is not even in English), I figured I'd jump on here and muse about something else you may have noticed I'm into if you follow me on Twitter: comic books. 

    This won't be super structured. I'm going to must on topics I'm thinking about or books that I'm currently reading. I'm neck deep back into Marvel mania, so I'll probably lean that way for a while. I may talk DC or indies in the future. Feel free to respond to any of it in the comments and we can discuss. Or bring up your own thoughts and opinions, so I can tell you that you're wrong.

    Black Panther

    This is the 5,000 pound rhinoceros in the room. Have you seen the movie? There's only one answer that will spare you from my M'Baku-level side eye and derision. It's the perfect culmination of 10 years of MCU storytelling, a global audience ready to take risks, and a director with something to say about history and the black experience. I could talk about Black Panther and the upcoming Avengers: Infinity War all day, but I'm here to talk comic BOOKS, baby. 

    Truth be told, Black Panther wasn't a favorite character of mine growing up, not even my favorite black Marvel character. That honor went to Luke Cage (after Brian Bendis's rehabilitation), Blade, or the protagonist of Robert Morales and Kyle Baker's seminal book Truth, Isaiah Bradley, and his Young Avenger grandson Patriot. I love the writer's Christopher Priest and Reggie Hudlin, and appreciated what they did with T'Challa in his meandering years in the 90s and early 00s, but he was never really my jam. However, in the last few years there are a few writers and arcs that made the character finally click for me.

    The first would be Jonathan Hickman's New Avengers run (aka Illuminati). The basic premise is that a secret cabal of Marvel geniuses and power players, including Tony Stark, Steve Roger, Mister Fantastic, Professor X, Doctor Strange, Black Bolt, Namor, and Black Panther, get back together to discuss a secret threat too frightening for the world at large to know: the multiverse is dying. A mysterious chain reaction is causing different universes to collide and the collision point is Earth. This leads to a horrible discovery: if both Earths are allowed to occupy the same space and crash into each other, each universe will be completely destroyed, but if one Earth is destroyed beforehand, the universes will pass each other harmlessly. The clock is ticking and the process is accelerating. This snowballs into a series of impossible decisions and dark bargains. T'Challa was torn between his roles as a scientist, superhero, mystic leader and Wakandan head of state. He was pitted philosophically and physically against other major characters like Tony Stark, Steve Rogers, Namor, and Reed Richards. Some were scientists, soldiers, spiritual leaders, or kings, but none of them were all of those things like T'Challa was, which brought his character into relief. The choices he makes, his successes and his terrible failures balancing it all, made the character finally come alive for me. 

    Al Ewing picked up the baton right after Hickman's run and brought Black Panther into his team book, The Ultimates. Ewing had just come off of my favorite team book of all time, his version of the Might Avengers. He put on a master class of writing characters of color with a team that was mostly black (except for She-Hulk and Sort Of Evil Spider-Man... long story). Al's a white Brit and this book is a testament to the idea that, if you put in the work, you can write rich characters of any background. The team up was Luke Cage, Falcon, Blue Marvel, Spectrum, Power Man, White Tiger, Blade, She-Hulk, and Doc Ock in Spider-Man's body (seriously, it's a long story). They were different ages, different class backgrounds, different ethnicities, and held very, very different political beliefs. Their discussions felt real, funny as hell, and totally unique to a group of this composition. Al brought that same energy to The Ultimates and T'Challa was better off for it as a character. He paired him up with cosmic heavy hitters like Captain Marvel and America Chavez and sent them off to break (then fix) Galactus. It was a wild book, if short-lived due to Marvel meta-shuffling.

    The last transformative book I'll discuss is Ta-Nehisi Coates's recent run on the first solo Black Panther in years. While I love Coates's writing in The Atlantic, the run started a bit stiff as he learned how to transition from academic non-fiction into the science fiction prose of comic books. He adapted quickly, though, and the book loosened up through the second volume and is now a joy to read. Setting all that aside, Coates did something more important for Wakanda. He picked up the bits and pieces of Wakanda's mythology and history that had been rattling around for decades and reshaped it into something coherent, deep, and layered. When you sit down to watch the Black Panther film and see its treatment of Wakanda, what you're seeing is the work of Jack Kirby, Don McGregor, and Christopher Priest all tied together and filled in by Coates. It's pretty rare to see a writer have that kind of impact after writing comics for less than three years, but it was absolutely necessary for Ryan Coogler and Marvel to pull off what they did.

    If you have any questions or thoughts about these books or Black Panther in general, start a chain in the comment section and we'll discuss. 

    Reading List:

    Jon Hickman's New Avengers

    Al Ewing's The Ultimates

    Ta-Nehisi Coate's Black Panther

    Must Read, Supremely My Shit: 

    Al Ewing's Might Avengers

    What I'm Reading (Or Wish I Was)

    I'm a fan of Greg Pak and his oddball creation Amadeus Cho, so I've been keeping up with Incredible Hulk. If you're into the movies, you met Amadeus's mother Dr. Cho in Avengers: Age of Ultron, which was a nice bit of groundwork for the next decade of MCU. Recently, Amadeus has gone from Hulk and Hercules's best buddy to fully official Hulk and I'm both happy it happened and, I realized this month, glad its ending. While Hulking out felt like a natural conclusion for Cho, who, besides having angry friends, previously had a vague power set of being the world's 7th smartest person, playing a MacGuyver-like inventor, and possessing the uncanny ability to calculating complex physics on the fly (aka he could throw, catch, and nudge objects like a good guy version of Final Destination). He also became a demi-god for a while? Anyway, Totally Awesome Hulk / Incredible Hulk had some landmark moments, like the three issue appearance of Marvel's first completely Asian team last year. As I've said, team books with unique, unexpected groupings of characters is supremely my shit

    Amadeus!Hulk has since joined other teams and gone into space, but it's time for Amadeus to stop playing Hulk, which feels more and more like someone else's clothes, and get back to being Amadeus. I'd love to see him lead a team again as a strategist, maybe even bring back that short-lived team up with Jimmy Woo, Shang Chi, Silk, and Ms. Marvel...

    Reading List:

    Greg Pak's Totally Awesome Hulk Vol. 3

    If you're reading superhero comics right now, what's a character you like reading but wish they'd change (or change back)? What's your vision for what they should be doing?

  • Time for March Madness!

    8 months ago

    Schwartzanicker Broadcast Nick

    If you're a fan of college basketball, love the March Madness tournament, or just like a good competition you should sign up for the bracket challenge I'm reactivating for Rooster Teeth! Sign up and see how you stand against everybody by clicking here!

  • Red vs. Blue Season 16: 'The [NAME REDACTED]'

    8 months ago


    Hello everyone! Or as Caboose would say, “Hello everyone!”

    The other day someone on Twitter mentioned that there has been little in the way of Red vs. Blue news. Well, that changes now. I've come to give you too much information, both about Red vs. Blue and also about myself. Prepare to hear all about Season 16 and this ingrown hair currently buried somewhere under my beard.

    -Let’s start with RvB. As some have guessed from my carefully worded logline, Season 16 is the beginning of a multi-season arc. The arc has a name but I think I'm keeping the name a secret for now. I will say that the beginning of Season 16 takes place moments after Season 15 ends. I'm pulling a Halloween/Halloween 2 thing. Before you start typing, "There he goes with the motherf-ing references again," DON'T PANIC; by Grabthar's Hammer I promise Season 16 will have way fewer of those.

    -Several days ago I noticed a skin bump under my beard. I immediately thought, “Oh no, it’s an ingrown hair.” Don’t know if you’ve ever had one of these fucking things but they are really hard to get out. I think if I keep scratching around I can probably pry it out. Fuck, I might need some tweezers.

    -I have been working on this new season since September. I began with a handful of ideas, and before I knew what was happening, more layers and ideas started to pour out. I gathered them all into a bucket and realized that one bucket wasn’t enough. Right now it's looking like two buckets’ worth of ideas. I don't want to give away too many details, but I will say this season will be epic, absurd, awesome, and perfectly fitting for the Reds and Blues in brand new ways. I'm taking them into uncharted territory.

    -Speaking of uncharted territory, why does hair grow under skin? This is really fucked up. It's never coming out. I'm just going to ignore it. Ignoring it from now on.

    -After Season 15 wrapped up, I went and assembled a comprehensive spreadsheet of every critical comment and post I could find, and wrote down what I thought I could learn from each. This was not a fun or easy process, but my life is a quest to become a better storyteller and learning from mistakes is a massive part of that. As a result I've re-tooled my approach to many things. Most things, even. The structure, the storylines, the pacing. I’m not saying that Season 16 will be a magical perfect fit for everyone. I’m am saying that this season, this story that I can’t wait to tell you, will (hopefully) be all the more entertaining and awesome from these lessons learned.

    -One change these changes this season is that I want to do bigger episodes, which tell more standalone stories. I want each weekly installment fo feel more dense and fulfilling. More story in less time. This comes with the tradeoff of fewer episodes total, but I think it's a good deal. Important: this is not a shorter season. This season will still be one of the longest in runtime, even with fewer (15 or 16) episodes.

    -If you're curious, ignoring the hair is not working.

    -Another change this go-around is that I have new responsibilities at RT. Although it's my main focus, RvB16 is not the only thing I'm working on. To assist in the writing of the season, we've brought on Jason Weight (of Starship Goldfish) as my writing partner for the middle/later half of the season. Working with him has been awesome even if we don’t agree on everything (the dumb dumb spells armor with a “u” because he’s “British”).

    I'll leave you all with this:

    The universe is large. There are new places to explore. Some filled with beings of unspeakable power. Other with creatures of light and creatures of darkness. In the dark corners we can find strange, unfamiliar things – and stranger still, familiar things in unfamiliar shapes. There is so much to explore, both without and within.

    Red vs. Blue Season 16 will premiere on April 15th, and I think this ingrown hair will torture me for the rest of my life.

    P.S. I forgot to hint about time travel.

    P.P.S. I got it! Yippie!

  • New Site Updates, Linear Stream, and More!

    8 months ago

    mikequinn VP Engineering

    Update: Linear Stream - Rooster TV - begins tomorrow at 10:00 a.m. CDT / 3:00 p.m. GMT HERE!

    Hey, everyone. 

    I hope you’ve been having a great week. The engineering team has definitely been enjoying this week because we’ve been seeing more and more of you using the new video site and joining in the chat during live shows. Seriously, thank you for using the site and sending us your feedback. (You can also post in the forums with other people who are checking it out!) We’re squashing a lot of bugs and will be ready to fully launch this bad boy soon. Keep watching, and tell everyone you know to JOIN US.  O.O

    And yes, new mobile apps are still coming, and will launch the same day we fully launch the site. We’re doing some pretty intense internal testing right now, and I’m hoping to be able to show y’all some things next week. Stay tuned. 

    I also want to take some time to talk about the community side of the site. Just a reminder that when we launch the new video site, the current community site will still be there. Your profile, feeds, etc. will continue as you know them now while we work on the new community platform. When the video site launches, you’ll be able to access community via the menu on the left hand side of the page. New community is moving along really well. There’s a team of of engineers and designers working on it right now, and I presented some of the latest concepts to Matt and Ezra last week. We’re building something really exciting and can’t wait to show you more. 

    Oh hey, last thing. Next Friday, March 16, we’re going to be testing out something really cool on the new site. Starting in the morning we’re going to test out several hours of linear streaming that will include a ton of Rooster Teeth and Let’s Play shows, including the new animated series Nomad of Nowhere. Oh, linear streaming means it’s like old school TV. You just watch and wait to see what’s on next. Anyway, we’ll have a bunch of your favorite Rooster Teeth cast members joining the chat throughout the day, so be sure to check it out!

    Have a great weekend! 


  • This Week at ScrewAttack - 3/9/18

    8 months ago

    JoshuaKazemi @joshuakazemi

    The Desk of The Desk of DEATH BATTLE - Editor Notes for "Being Black Panther Sucks"

    • Realizing/remembering that the cologne in Anchorman is called "Sex Panther" was a particularly satisfying moment. 
    • A similarly exciting moment was when my brain conjured up a vague memory of Bill Nye the Science Guy running down a soccer field. Thanks, brain! 
    • I tried my best to channel my inner Ryan Coogler for this video. Specifically in the comic panels around 1:50 & 2:30.
    • The image of that guy farting on the thermal camera will haunt me for years to come. 
    • FYI: those of you who need very visual footage of both an unwanted boner and a girl's period, look no further than Degrassi: The Next Generation. Once again my brain went straight to those scenes. Thanks again, brain! 
    • This is my first video to include elements from After Effects. So it's my most technical video and it's about farts! Love my job. 
    • As a treat for those of you use read these journals: look closely at 4:40. 

    Watch the Video: RT

    DBX: Thor Vs 100 Pikachu - Sound Design Notes 


    • And with this DBX I cross off another item on my bucket list: I got Thor saying "Have at thee" in a video. 
    • Those Mjolnir sounds are insanely fun to play with. 
    • I really want a Mjolnir paperweight for my desk. It would go really well next to my surfing Pikachu. 
    • Question for y'all. What genre would you call the Pokemon fight music?? People online keep saying "Soundtrack" which is such an unhelpful, non-answer.
    • Does lightning hurt the God of Thunder? Also, why is he the God of Thunder?! He's the God of the sound that lightning makes?? Is Thor a master Sound Designer? I understand that "God of Thunder" sounds better than "God of Lightning" but still...seems kinda dumb. 
    • "Wait. Did I just hear a bowling pin sound effect in this DBX??" You betcha!  
    • Who would win in a fight: 100 Pikachu-sized Thors or one Thor-Sized Pikachu? Keep in mind, 100 tiny Mjolnirs. 
    • I would have loved to include the line from The Avengers, "Do I look to be in a gaming mood?" Would have been perfect. 
    • The name of the song in this DBX is called "Put The Hammer Down" So yeah. 

    Watch the video: RT | YT

  • Livestream

    8 months ago


    Great stream by the amazing ladies of RT today. Not so great performance by the community in the YouTube chat. This community thing is a two-way street, y’all. Maybe tomorrow, try not to be dickheads.

  • The New Terminator Film Ignores Everything That Happened After Terminator 2, Adds Mackenzie Davis to Cast

    8 months ago



    They're going to keep taking a stab at Terminator into they finally make another good one. As cynical as I want to be about yet another Terminator movie there's something interesting about this one. 

    For one, James Cameron is back in a creative capacity. He helped break the script and will be godfathering this project along for director Tim Miller (who last directed the first Deadpool). That's good news. 

    Schwarzenegger will be returning and so will Linda Hamilton, who is coming back as Sarah Connor and the story will ignore all Terminator movies past T2. (Sorry Edward Furlong, seems like you're shit outta luck).

    This is a tact becoming more and more popular with these large, often convoluted giant franchises. Halloween is doing that and for a hot minute the Alien franchise was going to do the same thing with Neill Blomkamp at the helm before that got scrapped for Ridley Scott to keep making his weird prequels.

    Variety just reported that Mackenzie Davis has been cast as the first new face for this attempt at rebooting the Terminator franchise, potentially as the new threat. Apparently the producers are still on the hunt for the film's new protagonist that will likely take the torch from Hamilton.

    Davis is awesome. She was the co-lead of Black Mirror's best episode (San Junipero, of course) and turns in an energetic performance in Jason Reitman's upcoming Tully. I don't know if I quite buy her as a threat, but we'll see how this new movie uses her.

    The new Terminator has a release date of July 26th, 2019 and according to Schwarzenegger starts shooting very soon. 

    Count me as cautious, but optimistic on this one.

  • A Wrinkle In Time Isn't Perfect, But It's Pretty Damn Good

    8 months ago



    My personal history with A Wrinkle In Time is short. I've known it existed as a book, but I never read it growing up and it just never got into my “to read” pile as an adult. So, I went into Ava DuVernay's adaptation pretty much blind.

    And I liked it. A lot.

    Is it perfect? Nope. There is some on-the-nose exposition at the beginning that had me dreading the rest of the movie. Young Charles Wallace overhears two teachers talking about his sister, Meg, our protagonist and they are there to explain to the cheap seats Meg's whole backstory, why she's withdrawn and moody and why the school bullies are drawn to her in two or three back and forths. Very lazy, but at least DuVernay and screenwriters Jennifer Lee and Jeff Stockwell make these character integral to kicking off the next scene, in which Meg confronts one of her bullies.

    And the rest of the movie is fairly clear of that kind of exposition, letting the actions of the characters and visuals propel the story instead of some character explaining to us what's going on at every step.

    At the end of the day, that's a nitpick. I can easily see some people being turned off at the heavily CG'd fantasy worlds that unfold as Meg, Charles Wallace and Meg's friend Calvin go on an adventure to find her missing father, but thanks to a particularly layered and charismatic leading performance by Storm Reid I was in for the ride.

    The film emotionally hooked me thanks to that character and the overall message of hope, kindness and empathy. It also helped that when “The It” comes into the picture DuVernay didn't shrink away from making it creepy. I got tone flashes of some of my favorite '80s kids fantasy, like The Neverending Story, Legend, Something Wicked This Way Comes and Labyrinth as I was watching this. It's always appreciated when a family film decides to embrace the weird and unsettling and this one does just that.

    But the real takeaway here is the message of positivity, not just for the world, but for yourself as well. Put love out into the world, but don't forget to keep a little bit of it for yourself. The villain of the piece is an entity that feeds your deepest, darkest fears. It's not something that influences you to be mean to other people... that happens, but it happens because you don't like yourself. You obsess over your flaws and don't view them the things that make you unique.

    For children watching that's a powerful pill buried in the spoonful of sugar of the fun adventure story, especially since most of them are about to experience the brain-melting lightning storm of hormones and self-doubt that comes with puberty.

    The acting is great across the board. Chris Pine proves yet again he's one of the most charismatic actors in the business right now, Levi Miller continues to be a promising up and comer (he was Peter Pan in the recent not-great PAN and was the lead of a fun little Christmas-set horror flick called Better Watch Out), Deric McCabe is a bit precocious as the loud, super smart 6 year old Charles Wallace, but I found him to have a definite spark that kept him from becoming annoying and, as I mentioned before Storm Reid really makes this movie for me.


    She brings such a level of depth to Meg without making her a broody young teen. She's so good at making the character feel effortlessly real that I know she has some real chops. Every time you see something on the screen that looks easy you know it was anything but. A whole lot of work goes into making things feel like no work went into them.

    She's great and has a great support system. Oprah Winfrey, Reese Witherspoon and Mindy Kaling are essentially the Blue Fairy, The Fairy Godmother and the Good Witch of the North mixed together and split into three people and they play their omniscient beings of good and light with a knowing smile. There's some trickster in them and that helps keep them from just being a type.

    Ultimately, I cared about the story because I cared about Meg and SHE cares about the story. You like Calvin and her dorky little brother because she likes them. You want to see her reunited with her father because she so desperately needs it to happen. You get wowed by the fantasy worlds she enters because she is. Meg is the key and also happens to be the best thing about the movie.

    I don't know if A Wrinkle In Time is as big of a movie as something like Black Panther, but I am positive that for a certain age range this film will be hugely influential and important. I'm an adult that dug it, so there will be those, too, but this is a film that kids are going to obsess over. Children of color, white kids, boys and girls... it's about as an inclusive story as you could hope for and the way DuVernay filmed it was designed to draw you into this crazy world.