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  • Fox Continues To Kill It With Their Deadpool 2 Marketing! New Poster Is Both Funny And Beautiful!

    2 weeks ago

    ericvespe

    If you couldn't be more psyched for Deadpool 2 then prepare to push yourself even further with this gorgeous and funny art poster Fox just released. "From the Studio That Killed Wolverine." Bless you all. I want this on my wall now. 



    deadpool-2-poster-final-405x600.jpg 



    Ain't that thing a beaut? I mean, we have Blind Al, Terry Crews, Negasonic Teenage Warhead, Ricky Baker, Shatterstar and Rob Delaney all on one poster! I mean, there's everything AND, literally, the kitchen sink in this poster. If this movie is even a fraction as awesome as this poster we're all in for a great time. Only a week and a half to wait, folks!

  • Wait, John Lithgow is going to play Jud Crandall in the new Pet Sematary remake?!?

    2 weeks ago

    ericvespe

    This may be a little niche, but today's casting news of John Lithgow joining up with the pending Pet Sematary remake is right up my alley. Lithgow is awesome and he's going to be playing of my favorite King characters: Jud Crandall. 



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    You'll remember the late, great Fred Gwynne played Jud in the original film and he did a bang up job, putting on an authentic Maine accent so thick he became a quick parody. South Park straight up cut and paste him into the series he was so memorable in that role. "Don't go down that road..." 


    Much like Gwynne, Lithgow's career has been mostly built around him being such a lovable guy. There have been a few exceptions, my favorite being his cold-blooded strangler character in Brian De Palma's Blow Out, but on the whole Lithgow was mostly the dad you always wanted.


    Crandall is the granddad you always wanted, so that fits. He's kind, smart, has an answer for everything, but he's also haunted. In this case he's haunted by the knowledge he has... of a little clearing beyond the pet cemetery where the soil is stoney, like a man's heart. And he's haunted by the power he knows that place possesses. 



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    The remake cast Jason Clarke as the lead, Louis Creed, a doctor who moves his family to a small town in Maine and now Lithgow. Both have starred in recent Planet of the Apes movies, so here's hoping Andy Serkis comes in to MoCap the Creeds' undead cat, Church.


    This marks a post-IT renaissance of Stephen King adaptations and I'm there for it. What do you folks think? 

  • Tall Life

    2 weeks ago

    Qholtz VFX Artist Rooster Teeth

    I want to take it upon myself to give a little insight into the world of being tall.


    At work, and any place I visit frequently,  I like to put my initials in dust where the normal sized person can not see it.  Please observe my recent dust tag of our RT break room.  This guy is at least 2 weeks old.


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  • This Week At ScrewAttack - 5/4/2018

    2 weeks ago

    JoshuaKazemi @joshuakazemi

    The Desk of The Desk of DEATH BATTLE - The Kingdom Hearts Conspiracy - Writer & Editor Notes


    • I may or may not have hid 13 things in this video. Happy hunting!
    • I wish you all knew just how many times we heard Noel whisper "Orichalcum" to himself in the office this week. 
    • I got super excited when I realized that I used a clip of Jack De Sena with Lisa Foiles (Jocelyn) performing voice over on top of it. It's All That!
    • The shot of the Sleeping Beauty Castle at Disneyland is from a home movie I made in 2011.
    • I love Disney and I'd be fine if they owned the world.
    • I also love a good (crazy) conspiracy theory and a good satire. 
    • When I was working on the script, I was looking for something about Kingdom Hearts, since that's the most recent Death Battle, and then I remembered all of the 13 stuff as I started researching. It was perfect because my love for Disney and the Disney parks meant that I had all of that Mickey Mouse info locked and loaded. It all just flowed out of me like a nerd at a very specific trivia night. 
    • Thank goodness for Chad James. He helped me punch up the script and found a great button to end on. 
    • Also Kingdom Hearts is so freaking cool. (crazy plotting and all) I gotta play these games again.
    • There are 13 notes in this journal. 
    • Seriously. 
    • Count them. 
    • Told you. 

    Watch the Video: RT 



  • My Favorite Shows

    2 weeks ago

    yvonne COO

    For those who know me, this won't come as a surprise, but I have been a fan of The Walking Dead since the first episode aired.  I waited impatiently for that first episode and when I saw the half zombie on the ground trying to get to Rick, well, I was hooked and have yet to miss a single episode. 


    I love the basic premise of the show, how we are all "the walking dead", and how do you manage to create a society we want to live in with these huge challenges (personalized by zombies).


    Now I have a new show, The Handmaid's Tale.  I've read the book a couple of times (yes I read 1 to 2 books a week - recommendations always welcomed - I finished Dean Koontz's Frankenstein yesterday - not one of his best) but I find the show goes beyond the book in telling a story of what society can become if we let it.  Frankly, this story scares me more than zombies.


    However,  this is not a post about society, but about what we take from the entertainment we watch.  I'm looking for insight into what I can do to improve myself and become a better person, and identify what is really truly important to me.  I think that is why I like 'end of the world' stories so much.  How do we survive and make this a better world?  I watch shows and movies that make me question something about myself and society and challenges me to think.


    But how does that explain all the sappy love stories, romantic comedies I watch?  Yes, I watched P.S. I Love You  - again - last night.  What again? You've seen it at least 10 times already.  I love that movie, it always makes me cry. But it makes me think about the impact love can have upon us. Love between partners, parents, and the love between friends, and how can I better bring more love into my life and the life of those around me.


    That is why I watch my favorite shows - what about you? What are you watching and why?

  • God of War

    3 weeks ago

    burnie

    This is my current treadmill game so I am thinking of going for Platinum. Anything I should know? For instance, should I be killing every Eye of Odin I see or wait until I can track all that?

  • Latest update to the new apps

    3 weeks ago

    revelsrouser twitter.com/revelsrouser

    What’s up y’all! I’m very excited to announce that the latest update to the Rooster Teeth apps includes support for Chromecast! It's available now for iOS (Get it here!) and Android (Available now!), so check the app store to download the Rooster Teeth app or update yours -  and start streaming!


    How to stream videos from via Chromecast:

    • Make sure that your devices are connected to the same Wi-Fi network.

    • Open the app

    • Find something awesome to watch

    • Tap the Cast button, a square with three curved lines like the Wi-Fi symbol coming out of the corner.

    • If you only have a single Chromecast on the network, the video should start playing immediately. If not, you'll see a list of available devices, and you'll have to tap on the one you want to cast the video to.

    And that’s how easy it is to have Chromecast right at your fingertips. We’ll be back soon to talk more about what’s coming down the pipe for mobile apps and web. Stay tuned!



  • Eric Vespe Takes You Behind The Scenes Of Jurassic World: Fallen Kingdom!

    3 weeks ago

    ericvespe

    The summer of '93 was an import one for me as a movie geek. Of course I had grown up with Steven Spielberg's work like Jaws and the Indiana Jones films and Close Encounters and ET, but I had never been caught up in one of those as an “event.” They had simply existed, either on cable or VHS. I did go see Last Crusade opening weekend with my family, but it was just a cool thing to do, not necessarily a landmark moment.


    The evening of Friday June 11th, 1993 I was at my grandparent's house. We were watching the news after dinner and the big story were the lines around the block for Jurassic Park. 



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    I was so pumped to see the movie, but also nervous. I was supposed to go see it the next morning, but could I even get in?


    My grandparents very rarely went to the movies with me. Grandpa Vic would often say “I want to keep my shoes” when I'd ask him to go watch movies with me, referring to the sticky floors of the theaters. But they encouraged my movie habit and bright and early Saturday morning my Grandmother dropped me off at the domed Century Theaters in San Jose, California.


    I walked up to the ticket booth while my Grandmother waited to make sure I could actually get in and sure enough I was able to buy a ticket to the first screening that morning. No lines, no problems. I vividly remember getting a Coke and some Red Vines, thinking all that stuff on the news was overblown and then I entered the theater... a buzzing, packed theater.


    Somehow I hit the sweet spot between sold out and lining up hours in advance and just kinda slid on in. I remember sitting off-center and being perfectly happy with my seat and then the usher came in and asked everybody to scoot towards the middle so the next wave of people could have easy access to remaining seats.


    When all was said and done I somehow ended dead center, middle of the theater. It's like fate put me in that seat. Then the movie played and I was hooked in a way I had never been before. Some of it was the buzz of the crowd, some was the technical majesty of the effects, both practical and digital, on the screen, some of it was the charisma of all the actors, a good deal was John Williams' score and there was also a little bit attributed to the state of the art immersive screen I was watching it on.


    The Century theaters were domed, with curved screens so it felt a little bit like I was surrounded by the movie. Not only that, but this was my first experience with Digital Sound. The DTS logo is super cheesy now, but at the time it blew my mind (and my eardrums).





    I was so into the movie. A 12 year old boy in 1993 was already the perfect mark for Jurassic Park and when you add in the fantastic presentation to the mix you get something life-changing.


    I'll always love Jurassic Park thanks to that screening. That summer I was boy obsessed. I both read the original Michael Crichton novel and listened to the audio book (read by John Heard). I collected Jurassic Park trading cards, I bought the making of book, I listened to the soundtrack on repeat, I pumped countless quarters into the Jurassic Park pinball machine. And I dreamed of petting a real life dinosaur.


    Cut to 24 years later and I found myself in the jungles of Hawaii, about to enter a tent filled with animatronic dinosaurs. Twelve year old me was very much on my mind in that moment.


    But lets back up a second. I got the call asking if I wanted to visit the set of the Jurassic World sequel after I had booked a much-needed vacation to New Zealand in that same timeframe. However you must remember that whole page of backstory I just made you read. A little thing like vacation wasn't going to keep me from getting to visit a Jurassic park in real life. The way it all worked out I flew from Austin to LA to Aukland to Wellington (roughly 20-ish hours of travel), got to sleep for a night and then got on an airplane and headed about 10 hours back the way I just came and I did so with a smile because there was a chance I was gonna see some goddamn dinosaurs and for that I'd fly around the world three times over.


    One of the perks of getting to touch down in New Zealand first was I happened upon a bag of limited edition Guardians of the Galaxy Vol 2 Doritos that was only available in the Southern hemisphere. The chips were green colored and “Gamora themed” and I said “Screw it, I'm going to gift these to Chris Pratt if I get the chance.”


    So, me and my movie tie-in junk food ended up in Hawaii where I found out the set visit was very limited. It was just me and Slashfilm's Peter Sciretta there, which made the whole thing feel intimate and less junket-y where you're herded like cattle from one part of the visit to another. Don't get me wrong, those visits are fine, too, but this kind is way better.



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    Our first stop was the destroyed Main Street of Jurassic World, built up off of Police Beach on the North Shore of Oahu. This exterior set was totally cool to be exposed to the elements because in the story for the sequel the Park has been abandoned for years. They've given it back to the dinosaurs and thus everything is overgrown, broken down, unkempt and probably filled with a bunch of dino doo-doo. I didn't see any, but I'm sure it was there.


    They built Main Street on an old WW2 airfield and it looked identical to the one you see (in much better shape) in the first Jurassic World even though that original set was built in New Orleans. The production design team was able to recreate it in exacting detail from the construction drawings, 3-D scans and photos taken on set the first time around.


    I didn't see any evidence of it, but I'm hoping we see a skeleton holding margarita glasses in each hand somewhere in this scene.


    While that's wishful thinking on my part, what I can say is that this location doesn't play a huge part of the movie, but I was told that it serves a pretty big moment that sounds like it mirrors the original Jurassic Park.


    When our heroes return to the island they find more dead dinosaurs than alive dinosaurs. Bones, carcasses, etc. I mean, the dinos have been left to their own devices so naturally the meat-eating meatasauruses have been eating the veggiesauruses and they don't tend to clean up after themselves.


    Apparently our heroes come to Main Street and see their first sign of life: a Brachiosaur walking amongst the ruins. Like I said, it sounds like a callback to the original moment when Grant sees the Brachiosaur for the first time. There's still awe and majesty even as this island is about to go up in flames.


    One of the big characters that has been kept out of pretty much all advertising is Ted Levine's character, Wheatley. We didn't get to see him work, but we heard a lot about him. Ted Levine is a very great and intimidating character actor probably best known as Buffalo Bill in Silence of the Lambs and his character here is apparently a real son of a bitch. He's a hard-ass military style dude on the ground to organize the extraction of the very specific species he's tasked to grab and from the sounds of things he's a little bit of a mix of Pete Postlethwaite's Roland Tembo and Peter Stormare's Dieter Stark from The Lost World in that he'd rather hunt the dinosaurs instead of saving them, but he doesn't seem to have Tembo's respect for the animal. He's a little more cruel about it and like most cruel people in the Jurassic universe things probably aren't going to end too well for this dude.


    While the production was very secretive about what happens after everybody gets off the island we did get filled in on some of the key on-island locations. We know that our group is trying to find Blue and to do so they need to journey to a radio tower on the island where they can plug in and track the dinosaurs (remember they all had tracking devices implanted). I assume there is where Justice Smith's character comes in since he's a computer dude who is deathly afraid of literally everything on the island.


    We've all seen the trailers by now so you know they find Blue. What you might have missed is that Blue has made her nest in the overturned jeep that the T-Rex messed up so beautifully in Jurassic Park. I was told later that the idea to do that came from Mondo, of all places. You may remember their teaser poster print they did for Jurassic World depicting a Raptor on top of the ruins of the car. Apparently that image stuck with the creative team and they couldn't find a place to put it in the first film, so they wrote that into the sequel.



    jurassic-world-poster-variant.jpg



    And speaking of Blue, I guess it's time to talk about losing my mind and petting a real, living, breathing dinosaur.


    I'm jumping forward a little bit here, but before the final part of our set visit, Peter and I got to step into the SFX tent and see some of the animatronics involved in the movie. We missed the biggest animatronic build of the shoot, sadly. They built a full sized T-Rex all drugged out and in her container, but that wasn't brought to Hawaii so I didn't get to see her.


    I did get to see a baby stegosaurus and Blue in all her head to toe glory, though, so I'm not complaining.


    The stego was a partial build. The body wasn't fully animatronic as the scene it's in apparently calls for it to be fairly stationary. The head, though, was articulated and puppeted by two guys, one controlling the rig that made its head move around in a surprisingly big range and the other using a remote control to make the eyes blink.


    Working together they made this head on metal skeleton come to life. It sniffed at my leg and nudged my outstretched hand like a big, goofy dog. Even though I could see the illusion thanks to the physical body not being in that tent at the time I still bought into it thanks to the animation happening before my eyes.


    The raptor didn't require as much suspension of disbelief. Blue was a full build. She was groggy, laying on the ground, but fully articulated. Her legs could push out, her arms moved, her ribcage expanded and contracted with each breath, her head could raise up off the ground and move around, her eyes opened and closed and could follow you, her mouth and tongue were working. In short, she was alive. In that tent at that moment, with a huge team of puppeteers behind her, Blue was a living thing.


    This was the moment I had dreamed of since I was a wide-eyed kid sitting in that movie theater watching dinosaurs come to life.


    The SFX crew told us that this particular build breaks down into three parts that when connected makes a seamless, full body Velociraptor and that it typically takes 11 puppeteers to bring her to life. Some will operate individual limbs, some the bladders built in that make it look like she's breathing, some on her face.


    The SFX team, lead by Star Wars' Neal Scanlan, didn't just create living dinosaurs. Nope, there's lots of dead ones as well. Near Blue's nest, out in the jungles of Hawaii, they built a full scale, dead adult Stegosaurus. This thing was massive. Sixty feet long, 15 feet tall, and immaculately detailed. Leathery, drying skin hanging over an exposed ribcage... It was sad and beautiful at the same time.


    There were a good dozen more dino carcasses scattered around the landscape. We went to visit the Radio Tower location, which is near where they shot the Gyrosphere Valley sequence in the first Jurassic World, at a place called Kualoa Ranch, which has been the location of a ton of movies and TV shows. When Hurley was golfing in Lost or when Lex, Tim and Dr. Grant were running from the Gallimimus in the original Jurassic Park, the Kong skeletons scene from Skull Island... that was all shot at Kualoa, a giant gorgeous amazingly beautiful reserve. I'm also told the Obamas frequent the event center.



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    One of the locations in this huge natural wonder is a steep green hillside and the Radio Tower was down at the foot of that. They had rigged the whole area with gas pipes so they could pump out fire for a big lava sequence and they even dotted the landscape with those dino carcasses. From the tower location you could easily see for miles and they had a bunch dotting the landscape and like the Stego these aren't just bones, but fully detailed decomposing carcasses.


    The scene in the trailer where Chris Pratt is running down the hill yelling “RUN!” is from this location and it looks way more steep and treacherous in person than it does on camera, let me tell you.


    We saw very little actual filming, but our last stop of the day did take us to the active set.

    The scene is the finale of the big island escape and involved Justice Smith and Chris Pratt and a speeding truck racing down a dock, trying to make it to a boat being chased by lava and probably a dinosaur or two. I don't know about that last part, but it is a Jurassic movie, so if someone's running odds are there's a dinosaur involved somewhere.


    Instead of getting to watch the scene unfold we instead spent our time at this location interviewing many of the key players, including legendary producer Frank Marshall, Justice Smith and Chris Pratt. I've run all those interviews separately and will list them at the bottom of this article. I highly recommend you give them a read if you want to know more about the movie and hear some fun filming anecdotes.



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    This was my first time meeting Pratt and he was every bit the joking, charming leading man type I expected from his film work. Of course within seconds of him entering our interview tent I bestowed upon him the gift of limited edition Doritos that had his face on them and to my delight he was super over the moon about it.


    There was a debate about whether or not he was going to “smash them” that night or hold on to them for posterity's sake and eat them in 20 years. That spurned a quick conversation about just how high you could get eating 20 year old movie tie-in Doritos and then we calmed down and had a nice chat about Jurassic stuff.


    Before we left we got a visit from Bryce Dallas Howard, who was in the tent next door to the one we were doing interviews in. We had interviewed her earlier in the day and since she knew she had two full blown geeks she asked us if we had any thoughts about her dad signing on to do the Han Solo movie. Of course we did and we listed off a few words of geek wisdom that she rapidly typed into the notes app on her phone and she said she was going to send them on to her dad. Whether or not she did and whether or not he took any of them to heart I have no idea, but it was a pretty cool moment nonetheless.



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    And that ended the big trip. The next day I got back on a plane and went back to enjoy my vacation knowing that I had gotten to bond with a real life dinosaur. The SFX guys could explain all the servos and components that made Blue look alive all they want, but I'm pretty sure they just cloned a real life dinosaur. That's my story and I'm sticking with it!


    Thanks for following along on this crazy adventure. Hopefully you know a little bit more about this crazy new Jurassic movie. If not now you know about limited edition Doritos, so I guess it's a win either way.


    If you want to read full transcripts of the interviews with the main players then here you go:


    Director JA Bayona On Making Jurassic World Scary Again

    Producers Frank Marshall & Patrick Crowley Discuss The Goals Of This Huge Sequel

    Chris Pratt Talks About Jumping Through A T-Rex's Mouth

    Bryce Dallas Howard On Becoming A Dinosaur Rights Activist

  • May - Story Time

    3 weeks ago

    geoff

    This month's playlist contains songs that stuck with me so strongly, and reverberated so heavily in my brain, that I either had to research their meaning, or create my own. They've caused me to buy multiple books, inspired more than a few stories/ideas, and continue to serve as a panacea for writer's block (at least for me). Fun fact, "White Man In Hammersmith Palais" was the inspiration for this entire playlist experiment. Enjoy!


    May - Story Time

  • JJ Abrams' crazy Stephen King-themed CASTLE ROCK gets a new trailer and release date!

    3 weeks ago

    ericvespe

    I'm hoping by now a good many of you have gotten to know me a little bit. If I'm still a mystery wrapped in an enigma for you, I can boil my interests down to two Steves: Spielberg and King. I grew up obsessed with both men's work. Starting in 6th Grade I decided I was going to read every book Stephen King ever wrote. I started with Cujo and being the solitary nerd type throughout all my schooling I had plenty of time to read and by the time I was in high school I had read everything King wrote (even the stuff he wrote under his Richard Bachmann pseudonym). 


    I still pick up every book he puts out and that is one prolific motherfucker, so he keeps me busy. 


    So when it was announced that JJ Abrams was developing a Hulu show called Castle Rock I was already in. Castle Rock is one of King's famous fictional Maine towns and it serves as ground zero for a bunch of crazy shit. The show promised to bring all kinds of King references and characters together and now we've gotten a new trailer that really underlines that.


    One thing that's really interesting is that they're casting it with a few Stephen King movie alums, like IT's Bill Skarsgard and Chosen Jacobs and Carrie's Sissy Spacek. The other cast is top notch, too, including Lost's Terry O'Quinn, apparently playing the new warden at Shawshank Prison, Melanie Lynskey as a real estate agent (tough job in that town), Andre Holland and Evil Dead and Don't Breathe's Jane Levy round out the cast.


    The new trailer not only gives us a better glimpse at what kind of show we should expect it also drops the release date: July 25th. It can't come soon enough for this King nerd. 




  • Podcast set concepts

    3 weeks ago

    gus Elite Staff

    Earlier today I was walking around the art department with Matt and we were looking at old unused sets when I asked him, "Have we ever released the other booth concepts that we didn't go with in favor of the podcast set?"

    Flashback:

    In late 2011/early 2012 we had an idea to create a 10'x20' booth that we could take to events and also use as a video podcast set when it was at the studio.  We commissioned an exhibits company to send us three concepts for this idea based on our needs.  The old podcast set is the one that we went with.  We used it at a few events in 2012 but due to the cost of shipping it we ended up converting it to be the podcast set full time and it never went back on the road again.


    Current day:

    Matt didn't think we had ever publicly shown the other concepts so I decided to dig through my email and I found the other ideas.


    Concept 1

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    Concept 2

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    Concept 3

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    Since we liked concept 1 the most that is the only one we had re-designed to see how it worked as a podcast set:


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    Like I said earlier, I don't think we ever shared any of these concepts so I figured some of you may find the process interesting.

  • Community Appreciation

    3 weeks ago

    Barbara

    Hey friends.


    Every now and then I get super reflective about life and all the things happening to and around me. Today (like most days) I feel an overwhelming sense of gratification for you guys, our community. 

    There are so many people who what we do - YouTube channels, community websites, social media platforms, etc. There are so many places to call home online, and for so many years, we've been able to grow this amazing family with you guys. 


    I just want you to know how much I -- and all of us -- appreciate you guys. You are kind, you give us constructive feedback, you support our shows and silly ideas, and give so much love to us, even though most of us have never met. I think about this every day of my life, and rarely express how I feel. I love you all, and am so thankful to have you guys as our community. We're the luckiest people in the world. 



  • Rooster Teeth in the UK

    3 weeks ago

    ericherry Eric Cherry

    Hi Everyone!


    Last week we made a huge announcement: Rooster Teeth is expanding through a newly established UK office. They've asked me to head up the project, and so I wanted to start by sharing with you how I fit into the Rooster Teeth Story and give you an overview of what our initial plans are.


    I've been working with Rooster Teeth as a business partner for just over ten years now. At that time there were about ten people at the company, and they had just wrapped production of RVB Season 5 from their office in downtown Austin. I wasn't there. My office was in Melbourne, and I was responsible for selling their DVDs to Australian retailers. After doing that for a couple of years I launched the company Hanabee, and alongside an incredible group of colleagues and the Roo Teeth community (shout out Caiti), we hosted RT guests at conventions, boat cruises, afterparties, animation workshops, pub crawls, press tours and three instances of RTX Sydney. Those ten years put me in a unique place, where on the one hand I've been around the culture and community for quite some time, yet only now I feel it's appropriate to introduce myself. It's nice to meet you all, finally :)


    Regarding our plans for the UK, I've compiled a list of four primary objectives I'm undertaking over the next 12 months which I'll share with you here:


    #1 - Build a roadmap for improving the online store for global customers

    Our goal is to get high-quality products to customers anywhere in the world as quickly and cheaply as we can. We know the product range, customer service and user experience in the UK is a problem, it's also far from perfect in Australia. Adding to the challenge is a world-class team in Austin that is turning out fantastic products, as evidenced by how fast they're selling out! So to figure out how to navigate these challenges, I'm working with the team to model up different logistical scenarios, weigh up our most realistic options and roll them out according to a timeline. It won't change overnight, but you'll start to see improvements over a relatively short period, and we will keep you updated as our plans progress.


    #2 - Provide increased support for the RT community

    By all accounts, the UK community is so passionate it's almost intimidating! With the insufficient support for the UK store, I can see how some members could feel overlooked, which is why I'm here. My first objective is to meet with members in person, learn about their passion, goals and activities - both big and small - and figure out ways to provide increased support to the UK community at national and regional levels. I will be attending most of the MCM events this year, which will take me around the country, and give me the opportunity to at least be in the same town as many of you. I look forward to connecting with as many of you fine folks as I can.


    #3 - Reach out to developers, producers, talent, publishers, distributors and sponsors and figure out ways to work together

    My goal here is to meet as many creative individuals and companies as possible that compliment the Rooster Teeth universe and seek out ways to collaborate. There's no limit; it's a never-ending process that has me travelling a fair bit, and it's a super fun part of the job.


    #4 - Work with the executive team in Austin to decide on the best path towards long-term development for Rooster Teeth abroad

    We have ideas on what we want to do long-term, and the rest of my time this year is spent researching and identifying pathways to make it happen. While we're not ready to announce many of the concepts we're throwing around, nor go on a hiring spree, I can assure you I'm working on all four of the above objectives concurrently with an eye towards exciting developments ahead.


    Just to summarise, It's truly humbling to introduce myself to you all today through this huge and wonderful megaphone called roosterteeth.com. I look forward to keeping you across our plans as they come to light, and I'm super excited to meet many of you throughout the year, wherever you may be.


    - Eric

  • How Do Donuts Made

    3 weeks ago

    burnie

    This is how do donuts made


  • Full Sail + Rooster Teeth Livestream on May 1

    3 weeks ago

    Skilltacular Producer @ RT Games

    Hey! Brian Reilly here, back with another update on our partnership with Full Sail. 


    A few months ago, Gus announced that Rooster Teeth will be working with Full Sail students to develop a rad ‘80s fighter game, providing them with our annoying opinions and advice. Last month, we checked in during a visit to Full Sail and focused on what goes into the mocap aspect of video game development. Get ready, because we’re almost ready to preview the alpha build of the game, now known as Fury Strike!


    On Tuesday, May 1, at 1:00 p.m. CDT, Kyle Taylor, Cole Gallian, and I will host a livestream on the Rooster Teeth Facebook page to share what happens as we test the game and talk about it with some amazing people from Full Sail. 


    Back in my day, as a student at Full Sail, one of my favorite projects was a mock design pitch for a game called Drunk Jivers. The project’s challenge was to design a game that allowed sighted and non-sighted players to play together. Essentially, there were no usable visuals to the game, but rather the player relied on audio and vibrations from the controller to navigate the game’s world. The game was about chasing layers of a music track that stacked to create a full song. Basically the player was going from club to club, getting drunker as the game went on, making the visuals too blurry to make sense, thus “Drunk Jivers.” At the end of the presentations, our team was voted to have the best project. Other teams grumbled and contested our victory, because we forgot one key bullet point in the requirements. The game was meant to be for children. Oops. Anyhoo, I learned to be a bit more detail oriented from that and a few other spicy errors during my time at Full Sail. I can’t wait to hear what the devs of Fury Strike are learning. 


    We’ll be back soon with even more updates, so stay tuned!

  • Former bands of Jeremy Dooley

    3 weeks ago

    Jeremy

    Piggybacking off of this week's Off Topic and the release of 1551's new song "Nobody Gets Left Behind," here's the bands (if they can be called that) that I was in before now, including the titles of some songs by them. I'm also putting an * next to songs I'd like to redo now.


    Attractive Opposites/Bullets 4 Safety: The first 'band' I was in, which was just myself writing music. They were completely done by myself, lyrics, vocals, music, everything. I used a computer program to create the drums, and yes, I wasn't good. It was my introduction to writing lyrics. Most were just depressing and angry. Angsty teen stuff. 

    Songs included:

    Tortuous*

    Cut Through

    The Skin You're In*

    Tracer Round*

    Hate

    Moving On

    My Plight


    Give Them Hell: A band I was briefly a part of with other people from my high school. We worked on one song, didn't like how it sounded, and I was kicked out of the band after that. I'm not gonna argue with the decision. I hadn't figured out the type of music I was best at, yet, and what they were going for wasn't for me.

    Songs included:

    Cut Through (revamped)

    Moving On (revamped)


    Covert Ascent: What I would consider my first "real" band. This was myself and my best friends. It lasted for about three years and we performed at a few Battle of the Bands at my high school. We placed 4th the second year when we moved onto a heavier sound. Almost all of my vocals were screaming/growling, and the lyrics really didn't make much sense. I wasn't a huge fan of the sound, but it got my hooked on making music.

    Songs included:

    Before the Dawn

    Sunrise*

    Rapture

    Failing Again*

    The Skin You're In (revamped)*

    BYOB (cover)

    Guilty


    L.D.R.: This was my return to making solo music after Covert Ascent. I honed my skills in writing lyrics, drums, and guitar and got very close to the sound I achieve now. I still went for vocals that were way out of my range, leading to some really bad notes, but still, there was an attempt. I pretty much kept releases of these songs on facebook so my friends could hear.

    Songs included:

    Get Up

    Out in the Cold

    Turn Up The Hell

    Four Showers in Two Hours*

    Lyrical Liberation


    RT Music: This is music I have done that doesn't involve my current band-mate, Spencer Crewe. These are pretty limited, but they do exist.

    Songs Included:

    Camp Camp Rap Rap

    Adventurer Inside


    1551: My current band. 1551 essentially started when I posted a fake AH Rap Battle on this site and received a message from Spencer Crewe. Spencer asked if he could make music for the battle. I said yes, but ended up using music I made instead. However, he then went on to make music for future rap battles, and our music adventures took off from there. After making several rap battles together, Spencer and I took a break after I got hired. We made an unreleased X-Ray vs Vav rap battle, and that was it for a while, until we joined up again to make T.O.P. We made more music for Rooster Teeth before settling on attempting to make rock music on the side. We settled on the name 1551 after Spencer suggested it, stating that he came up with the name because the cities in which we live are 1551 km apart. In fact, to this day, I still have never met Spencer in person, and have only spoken to him once. All other communication is done through twitter and email. Spencer and I continue to write for 1551 and hopefully will release an album one day. As much as I'd love to do a live show/tour with 1551, I don't think that's ever going to happen, seeing as Spencer and I live so far apart, and Spencer handles literally all of the music. Guitar, drums, bass, it's all just him. We'd need to form a full band for such an adventure.

    Songs included (buckle up):

    RT Related:

    Ruby vs Tex

    Joel vs Caboose

    Barbara vs Caleb

    Mad King Ryan vs Podcast King Gus

    Church vs Sarge

    AH Rap Battle (the newer one)

    X-Ray vs Vav

    T.O.P.

    Game Failed

    Terror Eyes

    Lazer Team (unreleased)


    1551 Exclusive:

    Sometimes

    Break The Mold

    Bring it On

    Nobody Gets Left Behind


    I'm sure I've forgotten a lot of songs, but these are the ones that stuck out to me. Hopefully the list will be a lot longer after a few years.

  • CinemaCon: First Footage From The Suspiria Remake Is Brutal, Intense and Mean!

    4 weeks ago

    ericvespe

    On this busy last day of CinemaCon I went to Amazon's presentation specifically because I was hoping to see something from the Suspiria remake.



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    Dario Argento's original is considered by many to be a true masterpiece of horror. From a production design, tone and music standpoint it's hard to disagree with that. Argento's gothic, colorful movie about witchcraft at a dance school gets under the skin.


    Over the years a few different directors have approached this project, like David Gordon Green. His movie didn't happen, but he ended up with Halloween, so don't feel too bad for him. Luca Guadagnino is the one who was able to get this remake off the ground.


    He's an interesting choice for this. He's known for very emotionally charged dramas, most recently Call Me By Your Name. The fact that he's following that sensitive gay romance drama with frickin' Suspiria is bonkers by itself. What's even more bonkers is he shot Suspiria BEFORE he did Call Me By Your Name.


    But what the hell was a Suspiria remake going to look like? Well, today I got to see a little piece of it and it was sure something.


    The footage was graphic, brutal and a little mean. That's a good thing, by the way. Guadagnino ties witchcraft to dance, which is interesting. The footage began with a girl trapped in a mirrored room and then cuts to Dakota Johnson's character about to practice a dance for her instructor, the great Tilda Swinton.


    As Johnson does her routine, her movements have an impact on the poor girl trapped in the mirrored room. I didn't get the impression that Johnson knew the connection was there, but the more intense her dance got the more damage she was doing to the girl in the mirrored room. With each jerk of the Johnson's arms or twist of her body the girl is thrown around the room, her limbs contorting in unnatural ways, bones cracking, jawbone slowly dislocating, until it culminates with Johnson finishing her dance and the girl is left a crumpled, drooling ball of twisted legs, arms and torso.


    When I say the footage was mean, I'm not kidding. This scene went on for a long while. Maybe three or four minutes long and when it ends the girl in the mirrored room isn't dead. Oh no. She should be, but that mound of body parts is hitching for breath, drool spilling out of her broken mouth.


    Tonally that was right on. Visually it was radically different from Argento's movie. It's a good thing that Guadagnino isn't copying the original, but his choice seems to be to go in the complete opposite direction. 



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    The footage I saw was stark and almost colorless. The walls and floor were white, the clothing was all muted, light colors.


    I only saw one little sequence, so who knows if he gets crazier with the colors later in the movie, but I don't see how you remake Suspiria and don't, you know, use color. That's like doing Superman without John Williams' score or a Jaws movie without a shark.


    That said, the most important thing for Guadagnino to nail is tone and boy did he.

  • Filmhaus this week aka Infinity Warz

    4 weeks ago

    AdamKovic

    Hey all, just a heads up Filmhaus will be late for First members this week as we won't be recording until late Friday evening after we all see it. I know we tried this last time with Last Jedi but then I got sick and we ended up being a week late anyway.


    But not this time GOD! You hear me you giant head in the sky?! I refuse to go down without giving you people our EXPERT opinions on multi-billion dollar franchises about rich people pretending to be slightly-richer people.


    Unrelated info: the office is getting painted this week, we're shooting On the Spot here in LA for the first time, Sugar Pine is moving in and about 1000 other cool things are happening. Like I said, this is all unrelated, I just thought it was cool and wanted to share some info with y'all.

  • Funhaus TV Schedule

    4 weeks ago

    sirlarr

    FUNHAUS TV SCHEDULE

    FUNHAUS TV SCHEDULE (ICAL FORMAT)


    The day has finally arrived! Starting next week, we'll be cutting into the 24/7 stream of old Funhaus videos with live content!


    These blocks will be different than our usual recordings, since they by and large won't be re-purposed for edited content. The goal is to just chill with you guys and play some games.


    But WHICH GAMES? I have some loose ideas for what these blocks will be --


    PS2 ROULETTE - We draw a random PS2 game and play it for an hour.

    N64 ROULETTE - Same thing, but with a random N64 game.

    IN REVIEW - We informally review a recent release.

    IN PREVIEW - On the rare occasion we play a game before release, we can talk about our impressions or share any pre-release capture.

    GET HARD - We tackle a really difficult game or play on the hardest setting.

    TRAILER TRASH - Communal viewing of new trailers for movies, tv shows, and games.

    COMMUNITY GAMEPLAY - We play with you guys!

    GAMER ZONE - Online, competitive matchmaking (think Street Fighter, Overwatch).


    The goal is that all of these blocks will be uploaded to Fullhaus and be publicly viewable on the Rooster Teeth website for every stream.


    Any questions / suggestions / concerns? Post em below!

  • This Week at ScrewAttack - 04/26/18

    4 weeks ago

    JoshuaKazemi @joshuakazemi

    Top 10 Avengers That Should DIE in Infinity War - Writer & Editor Notes 


    (NO SPOILERS) 


    • #10 - Vision - I LOVE the MCU. Let's just get that out of the way. But honestly, I have this strong (and concerning) desire for this movie to be a gruesome blood bath. Like I would love if Thanos just walks up to Vision and effortlessly rips the Mind Stone out of his head ... all within the first 10 minutes. I may have a problem. 
    • #9 - Drax - Sincerely, I think this would be a good death. What more is there for Drax beyond Thanos' death? Perhaps Infinity War will set something up for him or of course something in Guardians V3. 
    • #8 - Star-Lord - I do miss chubby Chris Pratt and Parks and Rec in general - that doesn't justify his death. Please accept my sincerest apologies. It funny doh. 
    • #7 - Pepper Potts - Again! I think this would be a legit death! If Pepper dies, what does Tony have to live for? maybe it'll push Tony to finally "lay down on the wire" 
    • #6 - Loki - SOMEBODYSSSSSSS DEEEEEEEAAAAAAADDDDDDD! 
    • #5 - Hawkeye - Seriously, where is he? DON'T ANWSER ME UNTIL AFTER I SEE THE MOVIE ON FRIDAY NIGHT!* 
    • #4 - Phil Coulson - I legit miss old school Coulson. He is one of my favorite parts about Phase One. I guess in a sense he did really die in The Avengers because the character he is in Agents of SHIELD is so different. Also, just FYI, I have seen the first three seasons of AOS and have a love/hate relationship with it. 
    • #3 - Captain America - Okay, seriously, I meant every word of this entry. When I finally saw the finished project with the music, the footage and Nick's performance, I got emotional, like for REAL! I love Cap! 
    • #2 - Tony Stark - Get to the chase Marvel and just kill Tony and make him an AI assistant to the next Iron Person. Like the new JARVIS. We know it's coming. 
    • #1 - Iron Fist - Lol
    • #11 - Nick Fury - Lolol 


    *Story Time: In 2012 I was insanely excited about The Avengers (like every good American) I bought tickets to the midnight screening and gathered a big group of friends. Unfortunately my best bud couldn't make it (his GF's birthday was the same day) He asked me to wait to see it with him and I DID NOT. Instead, I went into our dorm room when he wasn't around and I grabbed HIS Avengers masks for me and my friends to wear. #NOREGRETS. Flash forward to now. I live in Austin and he lives in Dallas. I told him to drive down to see it with me but he made me promise to wait to see it with him as payback. SO I WONT BE WATCHING IT TONIGHT AS SOON AS I COULD BE! I'll be waiting until Friday night like a chump. #SQUADGOALS  


    Watch the video: RT | YT

  • Once More With Feeling

    4 weeks ago

    patrickmatthewz RTX Events Coordinator

    Ahoy Nerdz, Turtles, and Hippies!


    It's that time again! We are doing another Live Events AMA on Thursday, May 3rd at 5:00 PM Central.  


    Just like last time we are going to give you one week to ask questions. If you have a question please comment below. If someone else already asked your question, but you really want to know the answer give it an upvote.


    During the week we will comb through your questions and update our FAQ. Then we will post the answers on the 3rd as well as answer any new questions. 


    If  you want to see the bright shining faces of: 

    @Bethany@Clarissa.Gonzalez@nicolew@shelbyengquist, and myself then tune in roosterteeth.com at 5:00 PM Central Time. See you there!


    xyz


    Patrick

  • On-set Interview: Chris Pratt Talks About Jumping through a T-Rex's Mouth from the set of Jurassic World: Fallen Kingdom!

    4 weeks ago

    ericvespe

    When I got the invitation to the Hawaii set of the Jurassic World sequel I had already booked a vacation... In New Zealand. Of course I couldn't say no, but the timing was such that I flew from Austin to Wellington, New Zealand, which is about a total travel time of around 20-ish hours, get to sleep for a night, and then get right back on a plane and fly halfway back home, spend a few days in Hawaii and then fly another 8 hours back to New Zealand to enjoy the rest of my vacation.


    I mention this only because in that day and a half I was in New Zealand I found a bag of Doritos... a special bag of Doritos. I know, any bag of Doritos is a special bag of Doritos, but this was a limited edition Guardians of the Galaxy vol 2 Doritos flavor that was only available in the southern hemisphere. Naturally, being the thoughtful guy I was, I picked up a bag of these green chips with Chris Pratt's face on it and hauled it all the way to Hawaii to give it to Chris Pratt himself.


    This interview was conducted in a tent on a dock where they were shooting a scene involving a big truck surrounded by fire racing to the water. The tent next door housed Bryce Dallas Howard. How do I know this? Well, she cameos in this interview after covertly dropping some eaves. You'll see.


    Right before this interview started I delivered unto Mr. Pratt his Doritos and, as expected, he was super nice about it and thanked me for bringing them to him and said he was going to either A) Destroy the whole bag or B) Save them for posterity and eat them in 20 years, which was either going to result in his death or him getting high as fuck.


    Pratt was every bit the magnetic dude you'd imagine him to be. Very laid back, but clearly super charming. You understand why he's a movie star when you meet him. The dude's funny, never put on airs and was just an overall pleasure to talk to.


    As a reminder, I conducted this interview with Slashfilm's Peter Sciretta, who joined me on this trip, so don't be surprised when you see his name pop up in the below interview, which covers a lot of ground. We learn more about where Owen is at, what he's been doing in the years since the events of Jurassic World, how Pratt deals with fanboying out over the legends he works with and much more!


    Enjoy the chat!



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    Peter Sciretta: It's been a few years since Jurassic World. What has Owen been up to?


    Chris Pratt: I have an idea as to the backstory. What I know and what Bryce and I and JA have all decided on... We hint at it a little bit through the interaction between Owen and Claire, but I think he's been running away a little bit. Where we landed in terms of my backstory and our relationship is that something has broken us. We're not together. The thing that has broken us is that Claire feels as though she has to do something to make it right and Owen feels as though there's no way to make it right, so you have to move on. I think that's the thing that destroyed us.


    Claire is now working for this organization and she's pouring all her energy into trying to save these dinosaurs and my character is like “let's go on a road trip. Let's forget what's happened. You keep obsessing about this.” It all came from the idea that he's a combat veteran. He's been through some stuff beforehand, so this isn't the first time he saw something really terrible happen. He's come to realize you have to sometimes accept what you've gone through and realize there's no way of changing it. That's what broke them. It's a control thing between the two of them.


    So, what he's been up to is he's been building a cabin by a lake, off the grid a little bit, probably drinking a little bit of beer and listening to music, hanging out... being solitary.


    Eric Vespe: We know part of Owen's motivation for returning to the island is to help Blue. Can you talk a little bit about how Owen might be different this time around considering the experience he had last time around. Has his point of view changed at all?


    Chris Pratt: Through the course of this film it will change, but it happens now, not between the two movies. He's coming to terms with his responsibility in working with the raptors and ultimately what the final intention with these things could be.


    We do this cool thing... It's this video log from early on in the Raptors' lives. Owen kept a video diary tracking their progress, so we see the Raptors as hatchlings to two months old, then six months old. It's this way to look into just how mammalian they are in their intelligence levels and their cognitive reasoning skills. They exhibit behaviors of empathy. He starts to realize that they've created these things that look like raptors, but they're much more.


    This movie really does open up a whole new concept for the Jurassic movies moving forward. You get an understanding that he knew a little bit more about these raptors than he'd want to let anybody know. I think he's cynical about Hoskins from the first movie, In-Gen, what their intentions are about creating animals this dangerous and this intelligent. You can assume what somebody bad would want to do with animals like that. Part of him feels as though the best case scenario is that they all die. When this island goes up in smoke it might be the right thing and maybe finally his responsibility for potentially creating a disastrous result with these animals will go away.


    So, in a way he thinks it's a natural thing for the dinosaurs to go away, but what brings him there is not so much saving the dinosaurs, it's protecting Claire; his love for her. He knows she's too big-headed. He knows she's going to go. He's not going to let her go on her own, so it's his love for her that brings him back to the island. At first. Through the course he realizes there's a little bit more to his relationship with Blue. And that he's a robot. (laughs)



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    Eric Vespe: Yes, a learning computer. He's Arnold from Terminator 2, not Terminator 1.


    Chris Pratt: Yeah, T2! (laughs)


    Peter Sciretta: The last film had a couple animatronics, but this one has a lot more. What was it like meeting these dinosaurs? I mean, I touched Blue and I almost cried.


    Chris Pratt: I know! It's really great. Because of the scenarios contrived in this film we have these passive dinosaurs. When you see the movie you'll see why they're not always running or jumping or leaping or doing things that animatronics aren't good at. They're sitting still. We did that in the first film with the Apatosaurus as it was dying in our arms. That was a real animatronic and it was amazing to hold this thing that felt living and breathing, its eyes were opening and closing. As many advancements in CGI that they've made since '93 when the first film came out they've also made some serious advancements in animatronics. These things are really very, very lifelike.


    Because of these situations we have a T-Rex and a Raptor that are full animatronic puppets. You got a dozen guys operating them and it's really cool. It's much easier as an actor to have something to react to. It's been great. Blue is awesome.


    Eric Vespe: How cool is the Rex? We've only heard about that build. We weren't able to see her in person.


    Chris Pratt: There's an awesome moment where Claire essentially rides this passed out, drugged T-Rex, which wakes up and I have to dive through its jaws. It's a really crazy sequence...


    (From next door, through the thin tent flap) Bryce Dallas Howard: SPOILER!


    Chris Pratt: Hey, I read the talking points. It said I could talk about it!


    (Still from the tent next door) Bryce Dallas Howard: Even the T-Rex?!?


    Chris Pratt: It what it says right here! (to us) Of course, Bryce is over there listening.


    Bryce Dallas Howard: (laughs) And I wouldn't call us broken, Chris!


    Chris Pratt: You've got to read the talking points.


    Peter Sciretta: Bryce was talking about how JA will play music between takes and sometimes during takes. You're used to that. James Gunn does that on the Guardians films. How is it different here with this movie?


    Chris Pratt: It's a great tool. I love it, I'm in full support of playing music through a take, even if it comes at the expense of the dialogue. Having a rhythm that's resonating through each person caught on screen is very, very helpful. You can forget that it's mid-third act and we are running for our lives. You're making this million piece puzzle and you may spend all day shooting something that takes 5 seconds. You get bored, you're sitting there annnnd action! Cut! You forget you're supposed to be breathing heavily. You forget when it's linked together it gets very manic and suspenseful. The music really helps with that.


    (JA) uses that a lot and he uses it for jump scares. He has this whole playlist that's always wired in, including a T-Rex roaring. From time to time he'll play it and we'll all react to it naturally because we don't know it's coming. He loves to manipulate us in that way, which is really helpful as an actor. He'll scare us out of nowhere or do something unexpected.


    Eric Vespe: Like play a fart sound?


    Chris Pratt: (Laughs) Not yet. We're almost done, but he hasn't done that quite yet. But I like that. It's a good tool to use to get people excited or scared or give a sense of wonderment. Especially when he plays the John Williams score. (hums the main theme) Oh my God! It allows you to do nothing because in this film we are actors and we contribute so much, of course, but there are characters we don't even see because they're going to be animated, but they're going to need to have their moment or the score will need to have its moment. It's a big collaboration and sometimes you need to sit back and let the music take center stage. When you play that music it reminds you “Oh, I don't need to try to upstage this with acting or faces or anything. I don't have to do anything here, just let the music guide me and the audience to what we're supposed to be feeling.”


    There's some great stuff, like when we're flying to the island for the first time and we're looking out the window and he's playing this music and it puts you in the scene, like you're an audience member. It's really cool. I like it a lot.


    Eric Vespe: JA was telling us that there's a heavy focus on suspense in this film. There was a little bit of that in the first Jurassic World, but it was more focused on the spectacle of the new park and the disaster movie aspect of things going wrong. Hearing that this one was going rely more on suspense did that make you more excited to do this? I can imagine the worst thing for you to do is read the script and think “We just did this.”


    Chris Pratt: It was really exciting to understand we were doing something really different. I was thrilled when I got the script. I think people have high expectations for sequels. I think with this one those expectations will be met, if not surpassed. It does something different. It opens up a new chapter. It's called Fallen Kingdom. The Kingdom of this movie is people stuck on an island with dinosaurs freaking out and killing everyone. That is falling and we're moving onto something else.


    The first one was a disaster film. Shifting the tone over to suspense is really nice because I think with suspense you can do a lot with very little. You don't see Jaws for a good 2/3rds of the movie. You know he's there, there's music, you see the evidence of it... Not to say we're doing exactly that. I don't think that necessarily works as much anymore. I was just watching Jaws the other day with my son and he's like “Where's the shark?”


    Eric Vespe: And you're like “Disowned!”


    Chris Pratt: Yeah, disowned! Get the fuck outta here! He's four and during the third act battle I was like “I'll show you the shark, get in here!” He was like “Aaaaaaaaahhh” and I was like (sternly) “You'll sit and watch! You earn this!”


    Peter Sciretta: What's it like working opposite Jeff Goldblum?



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    Chris Pratt: Man, he's amazing. A huge part of the success of Jurassic World was the success of Jurassic Park. It all started in '93 with them and with him. I know that we had the blessing of Steven Spielberg and Universal and fans, but it's nice that he signs up to do this movie because in a way it's giving it his blessing. That was really cool. He's a terrific actor and maybe the kindest actor out there. He's really cool and smart and funny and interesting. It's really awesome to have him in this movie.


    Peter Sciretta: He has such a unique rhythm in how he plays things. He's different from everybody else. I feel like if I was in a scene with him I'd just become the kid that saw Jurassic Park and I'd be watching him instead of being in the scene.


    Chris Pratt: I feel like if I answer that I'll be giving away too much, but you do have to get it out of the way when you work with someone like Jeff Goldblum or I just did Guardians with Kurt Russell... You work with these people who are icons... It's a two step process. First, you have to be authentic and let them know just how crazy about them that you are. You make that really short and brief. You get that out of the way so you're not a liar or the guy that doesn't acknowledge them. You pay your respects.


    After that you immediately move to step B which is you become a peer and a collaborator or else you lose their respect. If every time you see them you go “Dude, this is so crazy!” you might not be the right guy for this job. Even when you're feeling that the third, fourth, fifth, sixth day you work together you kind of have to bury that and get right to the work.


    It's a strange thing being famous. I'm certainly not an icon like a Kurt Russell or a Jeff Goldblum. They are icons and maybe one day I will be, but if their journey is similar at all to mine you don't really feel that way about yourself, so if people feel that way about you it's kind of an uncomfortable situation that you politely and patiently wait for to be over so you can get back to being normal again. So you get through that stuff. You go “Oh my God, I love you! I can't believe we're working together!” and then you get to work.


    Peter Sciretta: All the great Michael Crichton stories had a little something on their mind. They weren't just adventure plots. They always had some kind of commentary. What do you think is on this movie's mind?


    Chris Pratt: (Pauses) It feels relevant to now and I think part of that has to do with technology, which is not necessarily something that doesn't serve the greater good, but is valuable. Maybe we put aside moral dilemmas because you can make money. It has a little to do with greed. That's a theme that resonated in the first movie as well and continues to resonate in this series. It's a cautionary tale against greed and over-ambition and a lack of respect for the natural order and confidence in our ability to control that which we can't control.


    Eric Vespe: Which is Dr. Malcolm's stance in that first movie, so it makes sense that he's back in play here.


    Chris Pratt: Yeah, that's right.


    Peter Sciretta: Who are the real monsters: the humans or the dinosaurs?


    Chris Pratt: That's a good question! (laughs)



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    So that's the interview! Still got a couple more, with the two new faces in the group Justice Smith and Daniella Pineda, coming up plus my detailed set report where I tour the island, see some dead dinos and also some very much alive (read: amazing animatronic) dinos and so much more!


    Stay tuned!

  • RvB Season 16

    4 weeks ago

    gus Elite Staff

    I spent all day working on something for an upcoming episode of RvB 16.  I think you all are going to love it.  Keep an eye out for it soon.

  • CinemaCon: JJ Abrams Says Bad Robot's OVERLORD is NOT a Cloverfield Sequel!

    4 weeks ago

    ericvespe


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    Hey, everybody. At the big Paramount panel at CinemaCon this afternoon JJ Abrams appeared on-screen to introduce some footage from Bad Robot's Overlord, a WWII horror movie directed by Julius Avery. First, he said that Overlord is Bad Robot's first R-rated movie and that it's "batshit crazy."


    Then he said contrary to what you may have heard on forums and Reddit Overlord is NOT a stealth Cloverfield movie. In fact he said they're developing a "true, dedicated Cloverfield sequel" according to JJ. That means it's not one they retrofit into the universe late in the process like both 10 Cloverfield Lane and The Cloverfield Paradox. 


    So, what is Overlord. Like I said it's a WW2 horror movie about a small squad of soldier shot down over enemy lines during the Normandy Invasion. From the footage it seems like the survivors stumble across a bunker with some real messed up shit inside. We're talking Re-Animator stuff involving syringes with red stuff in them that can seemingly bring people back to life, seemingly undead monstrosities and other nightmarish things. Those Nazis are never up to any good, are they?


    The standout sequence in the footage was one of the soldier approaching a gurney with a woman on it, obscured mostly by a curtain. She's begging for help in French. The soldier pulls back the curtain and reveals the head is about all that's left. It's just her head, still asking for help, and her spinal column. Everything else has been stripped away.


    So, it's gonna be gnarly. That's very much my kind of horror movie, so count me on board with this one as well!

  • CinemaCon: First Footage From Halloween Is Screened! Michael Myers Comes Home And Jamie Lee Is Ready For Him!

    4 weeks ago

    ericvespe

    Universal's presentation at CinemaCon was pretty spectacular. Yes, they had Cher there to Fernando in celebration of the Mama Mia sequel. Yes, they have video introductions by people like The Rock and Peter Jackson... but the thing I was most looking forward to was the very first look anywhere of the new Halloween movie.


    And boy did they deliver.



    halloween-2018-poster-1103254.jpeg



    Producer Jason Blum brought out the great Jamie Lee Curtis to introduce the footage. The set up is that after Loomis shot Myers at the end of the first movie he was eventually captured and re-institutionalized and Laurie has been waiting and preparing for the last 40 years for him to escape. She's with her daughter and granddaughter the Halloween he does get out.


    So the footage definitively states that none of the Halloween sequels matter. Everything that has been made after the events of the first film is out the window. There was even a scene with teenage characters talking about Laurie Strode and Michael Myers. “Wasn't it her brother that killed all those people?” “It wasn't her brother. That was something people made up.”


    In the footage we see a couple of reporters or documentarians visiting the asylum where Myers is and they approach a man standing in an open courtyard, back to them, chained to the ground. Of course the dummy reporter guy pulls out the mask. I can't tell you whether or not Michael responds to that (because we didn't see any more of that scene), but it introduces the mask and Michael certainly gets it back at some point.


    My biggest takeaway from the footage was that they were taking everything very seriously. If you were wondering if having Danny McBride co-writing this with David Gordon Green meant we were getting a more comedy/horror thing you were fuckin' wrong.


    There's an insanity to Michael this time out that is really off-putting. He's not going crazy, but his body language and actions are just “off.” Super creepy.


    Jamie Lee Curtis' Laurie Strode is no damsel in distress here. In fact I don't think there was one shot of her being afraid. Quite the opposite. She's not only prepared for this moment (having rigged her house with various safe rooms, weapons and hidden compartments), she's been hoping for it. At one point she even says that she prays he gets out someday so she can kill him.

    From the footage I can say that when he does get out (looks like a bus crash lets loose a lot of the inmates) Laurie is hunting him just as much as he's hunting his victims.


    There was a great scene where a woman (I think maybe one of the reporters/documentarians?) is in a bathroom stall and you see Michael's boots walk in. She's like “Occupied” and his hand reaches over the top of the stall door and drops a half dozen bloody teeth down on her.

    That's the kind of crazy we're dealing with here.


    The footage ended with a kid in bed asking his mom (or maybe a babysitter?) to close the closet door. The door is open a crack, the light from inside spilling out. She pushes it closed, but it bounces back. She does it again, it bounces back open. Third time it bounces she opens it fully revealing Myers, knife in hand.


    Very much a straight horror movie and I can't wait to see it. The mask looked right, the tone was right, Jamie Lee was super fired up. I'm super psyched about that footage and I can't wait to see the movie.